America’s Lost Work Ethic and the End of its global Exceptionalism – Part 3/5

December 11, 2011

DailyKos.com says, “American’s won’t work 12 hour days , $5 an hour for seven days a week.”

However, many Chinese will and they will work more than one job while saving between 30 to 50 percent of what they earn while sacrificing sleep.

However, in 1973 after graduating from college on the GI Bill (working nights and weekends), my first job was working 12 or more hours a day sometimes six and seven days a week on a salary without overtime.

Change.org says, “Despite high unemployment, Americans won’t work as farmhands. Have you ever read John Steinbeck’s Of Mice and Men, which is about two caucasion drifters working as farmhands moving from farm to farm to survive? at 112 pages, it is a small book and I recommend it.

The Center for Immigration Statistics tells us what the jobs are that educated Americans won’t work at. CIS says, “Of the 465 civilian occupations, only four are majority immigrant. These four occupations account for less than 1 percent of the total U.S. workforce. Moreover, native-born Americans comprise 47 percent of workers in these occupations.

“These high-immigrant occupations are primarily, but not exclusively, lower-wage jobs that require relatively little formal education.

“In high-immigrant occupations, 57 percent of natives have no more than a high school education. In occupations that are less than 20 percent immigrant, 35 percent of natives have no more than a high school education. And in occupations that are less than 10 percent immigrant, only 26 percent of natives have no more than a high school education.”

With no choice, American born citizens will work jobs most educated Americans refuse to do.

In fact, in October 2011, the New York Times reported about a Colorado farmer that decided to hire locally unemployed Americans instead of immigrant labor.  It took the farmer six hours to learn he had made a mistake.  At lunchtime, the first wave of local workers quit and never came back. Some of the workers said the work was too hard.

Since Chinese value education and work harder than most to earn one, they tend to stay in school longer.  In fact, Asian-Americans  had the lowest unemployment rate of all ethnicities. In 2010, 12.5% of Hispanic or Latino, 10% of African-Americans , 8.7% of Whites but only 7.5% of Asian-Americans were unemployed.

Continued on December 12, 2011 in America’s Lost Work Ethic and the End of its global Exceptionalism – Part 4 or return to Part 2

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Lloyd Lofthouse is the award-winning author of The Concubine Saga. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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America’s Lost Work Ethic and the End of its global Exceptionalism – Part 2/5

December 10, 2011

My parents generation is the one John Steinbeck wrote of in Cannery Row. One review says, “The novel depicts the characters as survivors, and being a survivor is essentially what life is all about.” The same theme permeates Steinbeck’s The Grapes of Wrath and Of Mice
and Men.

However, today, many Americans have forgotten the sacrifice it takes to survive and expects government to bail them out.

My father, at 14, was mucking out horse stalls at Santa Anita Race Track in Arcadia, California—the sort of work immigrants do today.


It started in America and swept around the globe!

My mother worked in a laundry and at home, she baked and decorated cakes for special occasions that she sold to neighbors, co-workers, friends and family.

My older brother worked most of his life until the day he died at 64 in 1999 working the jobs that immigrants do.  When he didn’t have work, he spent his days going to dumpsters looking for cardboard and searching the roadsides for empty soda cans and beer bottles to sell at the local recycling place.

Richard, my brother, “once” told me shortly before his death that he was proud he never collected a welfare check or depended on government handouts. The Latinos he worked with called him The Horse, “El Caballo”, due to his strength.

When I was fifteen, I went to school during the day and worked nights and weekends [30 hours a week] washing dishes in a coffee shop often until 11:00 PM only to be at high school the next day by 8 AM.

After a few years in the US Marines and a tour in Vietnam, I washed cars, swept floors and then bagged groceries in a super market while I attended college on the GI Bill.

One summer job before my fourth year of college had me cleaning empty 50,000 gallon stainless-steel tanks at the Gallo Winery in Modesto, California. It was a dangerous job cleaning out the tanks where the wine was fermented, and I witnessed fellow workers injured and rushed to the hospital.

However, the generation that won World War II and made America strong and powerful is mostly gone or retired. Today, the work ethic in America has changed.  The reason it changed has a lot to do with the way children have been raised since the 1960s by parents obsessed with their children’s self-esteem and happiness, while making sure these children never face a boring day and blaming teachers for the child’s bad grades instead of holding the child responsible.


Unfilled jobs due to skills gap

Since 1960, the US has not won a single war.  After more than a decade and about 50,000 dead, we lost in Vietnam. Today, after another decade at war, we are still fighting in Iraq and Afghanistan with no victory in sight.

It’s as if today’s younger generation is incapable of making the sacrifices the Great Depression (1929 – 1942) generation did when 25% of all workers were completely out of work. Some people starved and many lost farms and homes.

However, I’ve met Chinese immigrants willing to do the same work for the same low pay that Latino immigrants from south of the border do and often charge less while saving money to put their children through college.  It’s called sacrifice.

Continued on December 11, 2011 in America’s Lost Work Ethic and the End of its global Exceptionalism – Part 3 or return to Part 1

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Lloyd Lofthouse is the award-winning author of The Concubine Saga. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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Eating Smoke — a question and answer with the author, Chris Thrall – Part 5/5

October 20, 2011

Guest-Post by Tom Carter
Interview with Chris Thrall, author of Eating Smoke continued…

CARTER: Let’s talk about the publishing of Eating Smoke, because I’m sure there are dozens of expats across Asia reading this who feel that they, too, have exciting stories which deserve a place on bookshelves, yet are unsure of how to go about getting published.

So once Blacksmith Books expressed an interest in your proposal what kind of writing process did you embark on to complete the book?

THRALL: After six months of writing, when Blacksmith Books contacted me, I had pretty much the first draft written – 230,000 words at the time. The problem was I’d never studied English above high school level, so I spent a year referring to books, websites and online forums, teaching myself proper punctuation (not what we were taught at school!), grammar, and the art of self-editing.

CARTER: What kind of final editing was done to Eating Smoke? Were there any major changes to it and, overall, was it a hostile or pleasant experience?  I ask because editors and authors don’t usually see eye-to-eye.

THRALL: According to Blacksmith’s editor, the manuscript was structurally sound. I’d pretty much worked out for myself what did and did not need to be in there.

Any anecdote not taking the story forward or adding to the understanding of a character or situation, I took out.

As far as the end result is concerned, it was great to see the manuscript polished, with some incorrectly used words amended, some over-ripe humor taken out, and some excess sentences deleted. That’s not to say it wasn’t a stressful experience at the time.

Editors are good at spotting mistakes and cutting out excess lines. But that can leave un-poetic passages that don’t flow well on the page. My editor and publisher were completely accommodating, allowing me to rewrite any amendments myself in my own writing style – or understanding when I insisted that certain lines were left in the book, for continuity, or sentimental reasons because the story is true-life.

Chris Thrall

CARTER: The literary landscape is changing, some say deteriorating.

Where once New York publishers actually sought out quality literature that would last through the ages (John Steinbeck, Pearl Buck), today they only seem interested in boardroom-created-blockbusters like “Twilight” or throwaway celebrity memoires.

To add insult to injury, newspapers like the “New York Times” are notoriously anti-POD (Print on Demand) and will only review Big 6-published books despite the recent sales surge of self-published titles.

What’s your advice, then, for aspiring authors who lack literary connections but feel that their book is too good for CreateSpace?

THRALL: If you truly believe you have a story that will be of interest to many people, think carefully about sending your manuscript to a busy executive in a publishing house that probably has fifty other manuscripts land on their desk everyday and no time to read them.

Instead, consider hiring (or find) an agent that has some influence with the big players or simply send your first chapter to an author in a similar genre. Authors tend to be very kind and approachable people – as I found out, Tom! – and having been through the process themselves, they know what a publisher is looking for. If they like what they read then there’s a good chance they’ll recommend you.

Writers want other writers to have success. In addition, you’ll get pointers if your writing is lacking in any area. I’m currently writing a free e-book that will be available to download soon from http://www.christhrall.com to guide people through the process of writing a memoir and getting it published.

CARTER: What’s next for Chris Thrall? Tales from your time with the Corps of Her Majesty’s Royal Marines? Or perhaps some fiction?

THRALL: Not sure. You’ll have to ask the readers of Eating Smoke that question!

Return to Eating Smoke – Part 4, start with Part 1, or or if you have the time and do not want to wait for the five-part series to finish posting, click View as Single Page.

Chris Thrall was born in the UK. At eighteen, he joined the Royal Marine Commandos. Following active service in the Northern Ireland Conflict and training in Arctic warfare and survival, he earned his parachutist’s ‘wings’ and went on to serve as part of a high-security detachment onboard an aircraft carrier. In 1995, Chris moved to Hong Kong to oversee the Asia-Pacific expansion of a successful network-marketing operation he’d built, part-time, while serving in the Forces. Less than a year later, he was homeless, hooked on crystal methamphetamine and working for the 14K, Hong Kong’s largest triad crime family, as a doorman in Wanchai’s infamous red-light district. Eating Smoke, a humorous yet deeply moving first book, is his account of what happened.

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Travel photographer Tom Carter is the author of CHINA: Portrait of a People, a 600-page book of photography from the 33 provinces of China, which may be found on Amazon.com.

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