Will the real Emperors of Greed please Stand

March 16, 2016

From several pieces I’ve read in the U.S. media and a few comments I’ve received on this Blog, it appears that some people think the Chinese are the emperors of greed, but they aren’t.

In fact, greed is everywhere — even, GASP, in the United States.

For example, ABC’s Good Morning America reported, “Phantom Debt Collectors from India Harass Americans, Demand Money.”

GMA reported, “Hundreds of thousands of cash-strapped Americans have been targeted by abusive debt collectors operating out of overseas call centers suspected of links to organized crime in India, law enforcement officials told ABC News.”

Working through call centers in India, the commission estimates that the criminals have dialed at least 2.5 million calls, persuading already cash-strapped victims to send them more than $5 million.

Another example is A New Crime Wave of Identity Theft: Is Your Child in Danger.

“It’s undetected and undetectable. They’ll use your child’s Social Security number with a different name and a different birth date.” In fact, over several years, 57,000 cases of child identity theft was reported to the Federal Trade Commission. A new report from All Clear ID estimates that one in 10 U.S. children are victims.

“Olivia McNamara was starting her freshman year at Vanderbilt University when she applied for her first credit card. After being rejected twice, she did some digging and found that someone had stolen her identity and had run up massive debt – to the tune of $1.5 million. When she was 9, someone had stolen her Social Security number and set up false identities and more than 42 accounts. All of them had defaulted.”

Then in June 2012, the AARP Bulletin reported (on page 20), Locked out of Luck by Sid Kirchheimer. The piece said, “The overwhelming majority of locksmiths with an 800 phone number are not legitimate … In reality, the pro arrives in a van with no fixed address and a scam in mind. … The work is faulty plus expensive—often $1,000 or more, and demanded in cash.”

AARP even has a book out by fraud expert Doug Shadel, Outsmarting the Scam Artist. Shadel and a team of scientists interviewed thousands of victims and dozens of scam artists who revealed their trade secrets.

The Federal Trade Commission warns, “Consumer frauds pose a threat to consumers and the economy. Even the most wary and sophisticated consumers may fall victim to fraudulent offers – in the mail, in the media, and on the Internet.”

The FTC report stated that in the year prior to the survey the number of victims of the most common types of consumer fraud reached almost 36 million with 53 million incidents.

In fact, in 2010, the Better Business Bureau reported, “$2.9 trillion is lost to fraud annually.” In a decade that adds up to $29 trillion or almost twice the National Federal debt.

So, next time you read in the media or in a Blog that China, or any other country, is filled with crooks and corruption, remember that China is not alone. Don’t stereotype anyone. After all, the Chinese were not behind the 2008 financial crisis that cost the U.S. economy more than $22 Trillion in addition to nine-million jobs, and that does not  count what the rest of the world lost. – U.S. Government Accountability Office

One last thought. The 2008 financial crises caused nine-million working Americans to lose their jobs in a few months, but the Economic Policy Institute reports that the U.S. trade deficit with China cost only 3.2 million American jobs between 2001 and 2013 (12 years or about 258 thousand jobs a year).  In addition, a recent report from PBS.org and the BBC says that one in three jobs today will be lost to software, robots and smart machines by 2025—not to China.

Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the unique love story Sir Robert Hart did not want the world to discover.

A1 on March 13 - 2016 Cover Image with BLurbs to promote novel

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China’s Losing War On Pornography: Part 1 of 3

April 9, 2012

Before I introduce the topic of China’s war on pornography in Part Two, I felt it was necessary to mention the scope of this crime in America.  If I didn’t, I suspect that China’s critics/enemies would go out of the way to accuse the Chinese of being perverts and criminals or something worse for China’s Communist Party (CCP).

In 1982, the U.S. Supreme Court added child pornography as another category of speech excluded from First Amendment protection. The other categories excluded are obscenity, defamation, incitement, and “fighting words”.

However, for the last 15 years, the distribution of on-line child pornography has been the fastest growing crime in America (it has grown 100% annually). Source: kens5.com

The U.S. Justice Department says, “Congress recently significantly increased the maximum prison sentences for child pornography crimes and in some instances created new mandatory minimum sentences. These prison terms can be substantial, and where there have been prior convictions for child sexual exploitation, can result in a life sentence.”


Fifty-five percent of global child pornography comes from the US.

Family Safe Media.com says, every second, more than $3 million is spent on pornography; every second, more than 28,000 Internet users are viewing pornography and every 39 minutes a new pornographic video is being created in the United States.

US porn revenue exceeds the combined revenues of ABC, CBS, and NBC. In fact, the world’s top video porn producers are in the United States.

In 2006, revenue from worldwide pornography reached almost $100 billion — $27 billion in China and more than $13 billion in the US. Source: Family Safe Media.com (Note: China has more than four times the population of the US. To match the US average, China’s share would have to be $54.5 billion.)

Continued on March 2, 2012 in China’s Porn War – Part 2

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Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the lusty love story Sir Robert Hart did not want the world to discover.

Finalist in Fiction & Literature – Historical Fiction
The National “Best Books 2010” Awards

Low-Res_E-book_cover_MSC_July_24_2013

Honorable Mentions in General Fiction
2012 San Francisco Book Festival
2012 New York Book Festival
2012 London Book Festival
2009 Los Angeles Book Festival
2009 Hollywood Book Festival

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Eating Smoke — a question and answer with the author, Chris Thrall – Part 5/5

October 20, 2011

Guest-Post by Tom Carter
Interview with Chris Thrall, author of Eating Smoke continued…

CARTER: Let’s talk about the publishing of Eating Smoke, because I’m sure there are dozens of expats across Asia reading this who feel that they, too, have exciting stories which deserve a place on bookshelves, yet are unsure of how to go about getting published.

So once Blacksmith Books expressed an interest in your proposal what kind of writing process did you embark on to complete the book?

THRALL: After six months of writing, when Blacksmith Books contacted me, I had pretty much the first draft written – 230,000 words at the time. The problem was I’d never studied English above high school level, so I spent a year referring to books, websites and online forums, teaching myself proper punctuation (not what we were taught at school!), grammar, and the art of self-editing.

CARTER: What kind of final editing was done to Eating Smoke? Were there any major changes to it and, overall, was it a hostile or pleasant experience?  I ask because editors and authors don’t usually see eye-to-eye.

THRALL: According to Blacksmith’s editor, the manuscript was structurally sound. I’d pretty much worked out for myself what did and did not need to be in there.

Any anecdote not taking the story forward or adding to the understanding of a character or situation, I took out.

As far as the end result is concerned, it was great to see the manuscript polished, with some incorrectly used words amended, some over-ripe humor taken out, and some excess sentences deleted. That’s not to say it wasn’t a stressful experience at the time.

Editors are good at spotting mistakes and cutting out excess lines. But that can leave un-poetic passages that don’t flow well on the page. My editor and publisher were completely accommodating, allowing me to rewrite any amendments myself in my own writing style – or understanding when I insisted that certain lines were left in the book, for continuity, or sentimental reasons because the story is true-life.

Chris Thrall

CARTER: The literary landscape is changing, some say deteriorating.

Where once New York publishers actually sought out quality literature that would last through the ages (John Steinbeck, Pearl Buck), today they only seem interested in boardroom-created-blockbusters like “Twilight” or throwaway celebrity memoires.

To add insult to injury, newspapers like the “New York Times” are notoriously anti-POD (Print on Demand) and will only review Big 6-published books despite the recent sales surge of self-published titles.

What’s your advice, then, for aspiring authors who lack literary connections but feel that their book is too good for CreateSpace?

THRALL: If you truly believe you have a story that will be of interest to many people, think carefully about sending your manuscript to a busy executive in a publishing house that probably has fifty other manuscripts land on their desk everyday and no time to read them.

Instead, consider hiring (or find) an agent that has some influence with the big players or simply send your first chapter to an author in a similar genre. Authors tend to be very kind and approachable people – as I found out, Tom! – and having been through the process themselves, they know what a publisher is looking for. If they like what they read then there’s a good chance they’ll recommend you.

Writers want other writers to have success. In addition, you’ll get pointers if your writing is lacking in any area. I’m currently writing a free e-book that will be available to download soon from http://www.christhrall.com to guide people through the process of writing a memoir and getting it published.

CARTER: What’s next for Chris Thrall? Tales from your time with the Corps of Her Majesty’s Royal Marines? Or perhaps some fiction?

THRALL: Not sure. You’ll have to ask the readers of Eating Smoke that question!

Return to Eating Smoke – Part 4, start with Part 1, or or if you have the time and do not want to wait for the five-part series to finish posting, click View as Single Page.

Chris Thrall was born in the UK. At eighteen, he joined the Royal Marine Commandos. Following active service in the Northern Ireland Conflict and training in Arctic warfare and survival, he earned his parachutist’s ‘wings’ and went on to serve as part of a high-security detachment onboard an aircraft carrier. In 1995, Chris moved to Hong Kong to oversee the Asia-Pacific expansion of a successful network-marketing operation he’d built, part-time, while serving in the Forces. Less than a year later, he was homeless, hooked on crystal methamphetamine and working for the 14K, Hong Kong’s largest triad crime family, as a doorman in Wanchai’s infamous red-light district. Eating Smoke, a humorous yet deeply moving first book, is his account of what happened.

__________________________

Travel photographer Tom Carter is the author of CHINA: Portrait of a People, a 600-page book of photography from the 33 provinces of China, which may be found on Amazon.com.

To subscribe to “iLook China”, sign up for an E-mail Subscription at the top right-hand side of this page and then follow directions.


Eating Smoke — a question and answer with the author, Chris Thrall – Part 4/5

October 19, 2011

Guest-Post by Tom Carter
Interview with Chris Thrall, author of Eating Smoke continued…

CARTER: A really interesting observation I felt you made in Eating Smoke was of those expatriates who come to places like China looking to assert their dominance over the culture, and those expats who “go native” and completely immerse themselves in the language and customs, sometimes to the point of arrogance towards other foreigners.

Why do westerners behave like this in other countries, and why, in your opinion, do Asian immigrants in America or the UK have seemingly the exact opposite attitude?

THRALL: That’s a good question but probably a long-winded answer. It’s important to remember that not all westerners misbehave when abroad and not all Asian immigrants immerse themselves in or accept western culture and etiquette.

When you consider the West’s history and of colonialism and capitalism – arguably practices that require the population of one country to believe they are racially superior to another’s – it’s not hard to appreciate why some westerners behave this way.

Add to that a “functionalist” education system, a class system, a one-sided record of history…I could go on, couldn’t I?

CARTER: Comparisons are being made between “Eating Smoke” and Gregory David Roberts’ “Shantaram” (about a drug-addicted escaped convict who joins a crime family in Mumbai, India) and Alex Garland’s “The Beach” (young backpackers living on an isolated island in Thailand who goes mad from solitude and drugs).

Have you read either of these, and how does Eating Smoke stand apart in this genre?

THRALL: “Eating Smoke” is 100%  true life – whereas “Shantaram” and “The Beach” are fiction, though loosely based on their authors’ travel experiences, no doubt.

Although it’s on my shelf, I haven’t read “Shantaram”, but “The Beach” is one of my all-time favorites.

The reason “Eating Smoke” stands apart in this genre is that it works – or so the reviewers say – on so many levels and therefore appeals to readers of all ages, sex and genre.

I’m told my story is unique and an eye-opener and that my writing style – honesty, humor, originality, and pacing – makes the book impossible to put down. Even though it is over 500 pages as a traditional paperback, I often receive Facebook messages and emails from people who have read it in two days.

CARTER: I’d like to go on record as saying that I think “Eating Smoke” has “Hollywood” written all over it, and I expect your story to be optioned for film rights. Johnny Depp is slated to play the lead role in “Shantaram”, and Leo DiCaprio starred in “The Beach”.

Do you have any preference for actors to play yourself in “Eating Smoke”: The Motion Picture, like Shia LaBeouf or Justin Bieber (just joking!)? Who would you want to direct?

THRALL: *laughing* So long as the guy was English, a good actor, and resembled my character at the time, I wouldn’t mind. I don’t have a preference – I’m not that clued up on 25-year old English actors, to be honest!

As for a director, Danny Boyle would be my choice. I loved “The Beach”, “Trainspotting”, “Slumdog Millionaire” and “127 Hours”. It would require someone with his perception to be able replicate the psychosis that I experienced, accurately.

Continued on October 20, 2011  in Eating Smoke – Part 5, return to Part 3, or if you have the time and do not want to wait for the five-part series to finish posting, click View as Single Page.

Chris Thrall was born in the UK. At eighteen, he joined the Royal Marine Commandos. Following active service in the Northern Ireland Conflict and training in Arctic warfare and survival, he earned his parachutist’s ‘wings’ and went on to serve as part of a high-security detachment onboard an aircraft carrier. In 1995, Chris moved to Hong Kong to oversee the Asia-Pacific expansion of a successful network-marketing operation he’d built, part-time, while serving in the Forces. Less than a year later, he was homeless, hooked on crystal methamphetamine and working for the 14K, Hong Kong’s largest triad crime family, as a doorman in Wanchai’s infamous red-light district. Eating Smoke, a humorous yet deeply moving first book, is his account of what happened.

__________________________

Travel photographer Tom Carter is the author of CHINA: Portrait of a People, a 600-page book of photography from the 33 provinces of China, which may be found on Amazon.com.

To subscribe to “iLook China”, sign up for an E-mail Subscription at the top right-hand side of this page and then follow directions.


Eating Smoke — a question and answer with the author, Chris Thrall – Part 3/5

October 18, 2011

Guest-Post by Tom Carter
Interview with Chris Thrall, author of Eating Smoke continued…

CARTER: One of the main characters in “Eating Smoke” is a Filipina prostitute named Apple who, after being your friend, sells you out to the triads.  Filipinos are the second largest ethnic group in Hong Kong, however their career paths seem to be limited as nannies for wealthy families, cover bands, or bar girls.

Why is that, and do you think their situation will ever improve?

THRALL: I think it’s because the Philippines’ economy is relatively poor when compared to Hong Kong’s. Even with the pittance they receive in wages, these women are able to send a lot of hard-earned dollars home to their families, while getting a travel experience they likely otherwise ill afford.

As to whether their situation will improve, Filipinos are generally humble, in my experience. They don’t complain and seem to appreciate the chance to earn money abroad.

Of course, wherever there is inequality, they’ll be incidents of exploitation, which isn’t nice. But if their union – if there is such a thing – pushed for higher pay then perhaps the demand for their services would drop off as there are Hong Kong locals who could fill these jobs.

CARTER: Another reoccurring character in Eating Smoke is an expatriate named Cameron who insists on trying crystal meth despite your warnings of its highly addictive nature.  Cameron shows up later in the book exclaiming how much he loves the drug even though it’s obvious that he, too, is now addicted.  To quote a passage in your book, “Unable to stop and not wanting to anyway.”

What about methamphetamine makes it so popular even though everyone knows that it can, nay, will destroy you?

THRALL: I can only speak from my own experience. Some people try meth and say, “Ah. It’s OK. But nothing special.” Then get on with their life. For others it seems to be the key in lock, the answer to all of life’s insecurities and problems. Perhaps people in the former category have had more stable upbringings and hence less insecurity and the resultant need to feel “right” for a change.

A drug that makes you feel cool, calm and supremely confident, in addition to giving you a massive surge of creative energy – allowing you to discover abilities you were told you were a failure at in school – is always going to be in demand.

The problem is, like Superman with his Kryptonite, you begin to crave that feeling more and more to the point where you no longer feel normal without it. That’s called addiction. Either you beat it or it destroys you.

Continued on October 19, 2011  in Eating Smoke – Part 4, return to Part 2 or if you have the time and do not want to wait for the five-part series to finish posting, click View as Single Page.

Chris Thrall was born in the UK. At eighteen, he joined the Royal Marine Commandos. Following active service in the Northern Ireland Conflict and training in Arctic warfare and survival, he earned his parachutist’s ‘wings’ and went on to serve as part of a high-security detachment onboard an aircraft carrier. In 1995, Chris moved to Hong Kong to oversee the Asia-Pacific expansion of a successful network-marketing operation he’d built, part-time, while serving in the Forces. Less than a year later, he was homeless, hooked on crystal methamphetamine and working for the 14K, Hong Kong’s largest triad crime family, as a doorman in Wanchai’s infamous red-light district. Eating Smoke, a humorous yet deeply moving first book, is his account of what happened.

__________________________

Travel photographer Tom Carter is the author of CHINA: Portrait of a People, a 600-page book of photography from the 33 provinces of China, which may be found on Amazon.com.

To subscribe to “iLook China”, sign up for an E-mail Subscription at the top right-hand side of this page and then follow directions.