Eating Smoke — a question and answer with the author, Chris Thrall – Part 5/5

October 20, 2011

Guest-Post by Tom Carter
Interview with Chris Thrall, author of Eating Smoke continued…

CARTER: Let’s talk about the publishing of Eating Smoke, because I’m sure there are dozens of expats across Asia reading this who feel that they, too, have exciting stories which deserve a place on bookshelves, yet are unsure of how to go about getting published.

So once Blacksmith Books expressed an interest in your proposal what kind of writing process did you embark on to complete the book?

THRALL: After six months of writing, when Blacksmith Books contacted me, I had pretty much the first draft written – 230,000 words at the time. The problem was I’d never studied English above high school level, so I spent a year referring to books, websites and online forums, teaching myself proper punctuation (not what we were taught at school!), grammar, and the art of self-editing.

CARTER: What kind of final editing was done to Eating Smoke? Were there any major changes to it and, overall, was it a hostile or pleasant experience?  I ask because editors and authors don’t usually see eye-to-eye.

THRALL: According to Blacksmith’s editor, the manuscript was structurally sound. I’d pretty much worked out for myself what did and did not need to be in there.

Any anecdote not taking the story forward or adding to the understanding of a character or situation, I took out.

As far as the end result is concerned, it was great to see the manuscript polished, with some incorrectly used words amended, some over-ripe humor taken out, and some excess sentences deleted. That’s not to say it wasn’t a stressful experience at the time.

Editors are good at spotting mistakes and cutting out excess lines. But that can leave un-poetic passages that don’t flow well on the page. My editor and publisher were completely accommodating, allowing me to rewrite any amendments myself in my own writing style – or understanding when I insisted that certain lines were left in the book, for continuity, or sentimental reasons because the story is true-life.

Chris Thrall

CARTER: The literary landscape is changing, some say deteriorating.

Where once New York publishers actually sought out quality literature that would last through the ages (John Steinbeck, Pearl Buck), today they only seem interested in boardroom-created-blockbusters like “Twilight” or throwaway celebrity memoires.

To add insult to injury, newspapers like the “New York Times” are notoriously anti-POD (Print on Demand) and will only review Big 6-published books despite the recent sales surge of self-published titles.

What’s your advice, then, for aspiring authors who lack literary connections but feel that their book is too good for CreateSpace?

THRALL: If you truly believe you have a story that will be of interest to many people, think carefully about sending your manuscript to a busy executive in a publishing house that probably has fifty other manuscripts land on their desk everyday and no time to read them.

Instead, consider hiring (or find) an agent that has some influence with the big players or simply send your first chapter to an author in a similar genre. Authors tend to be very kind and approachable people – as I found out, Tom! – and having been through the process themselves, they know what a publisher is looking for. If they like what they read then there’s a good chance they’ll recommend you.

Writers want other writers to have success. In addition, you’ll get pointers if your writing is lacking in any area. I’m currently writing a free e-book that will be available to download soon from http://www.christhrall.com to guide people through the process of writing a memoir and getting it published.

CARTER: What’s next for Chris Thrall? Tales from your time with the Corps of Her Majesty’s Royal Marines? Or perhaps some fiction?

THRALL: Not sure. You’ll have to ask the readers of Eating Smoke that question!

Return to Eating Smoke – Part 4, start with Part 1, or or if you have the time and do not want to wait for the five-part series to finish posting, click View as Single Page.

Chris Thrall was born in the UK. At eighteen, he joined the Royal Marine Commandos. Following active service in the Northern Ireland Conflict and training in Arctic warfare and survival, he earned his parachutist’s ‘wings’ and went on to serve as part of a high-security detachment onboard an aircraft carrier. In 1995, Chris moved to Hong Kong to oversee the Asia-Pacific expansion of a successful network-marketing operation he’d built, part-time, while serving in the Forces. Less than a year later, he was homeless, hooked on crystal methamphetamine and working for the 14K, Hong Kong’s largest triad crime family, as a doorman in Wanchai’s infamous red-light district. Eating Smoke, a humorous yet deeply moving first book, is his account of what happened.

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Travel photographer Tom Carter is the author of CHINA: Portrait of a People, a 600-page book of photography from the 33 provinces of China, which may be found on Amazon.com.

To subscribe to “iLook China”, sign up for an E-mail Subscription at the top right-hand side of this page and then follow directions.


Eating Smoke — a question and answer with the author, Chris Thrall – Part 4/5

October 19, 2011

Guest-Post by Tom Carter
Interview with Chris Thrall, author of Eating Smoke continued…

CARTER: A really interesting observation I felt you made in Eating Smoke was of those expatriates who come to places like China looking to assert their dominance over the culture, and those expats who “go native” and completely immerse themselves in the language and customs, sometimes to the point of arrogance towards other foreigners.

Why do westerners behave like this in other countries, and why, in your opinion, do Asian immigrants in America or the UK have seemingly the exact opposite attitude?

THRALL: That’s a good question but probably a long-winded answer. It’s important to remember that not all westerners misbehave when abroad and not all Asian immigrants immerse themselves in or accept western culture and etiquette.

When you consider the West’s history and of colonialism and capitalism – arguably practices that require the population of one country to believe they are racially superior to another’s – it’s not hard to appreciate why some westerners behave this way.

Add to that a “functionalist” education system, a class system, a one-sided record of history…I could go on, couldn’t I?

CARTER: Comparisons are being made between “Eating Smoke” and Gregory David Roberts’ “Shantaram” (about a drug-addicted escaped convict who joins a crime family in Mumbai, India) and Alex Garland’s “The Beach” (young backpackers living on an isolated island in Thailand who goes mad from solitude and drugs).

Have you read either of these, and how does Eating Smoke stand apart in this genre?

THRALL: “Eating Smoke” is 100%  true life – whereas “Shantaram” and “The Beach” are fiction, though loosely based on their authors’ travel experiences, no doubt.

Although it’s on my shelf, I haven’t read “Shantaram”, but “The Beach” is one of my all-time favorites.

The reason “Eating Smoke” stands apart in this genre is that it works – or so the reviewers say – on so many levels and therefore appeals to readers of all ages, sex and genre.

I’m told my story is unique and an eye-opener and that my writing style – honesty, humor, originality, and pacing – makes the book impossible to put down. Even though it is over 500 pages as a traditional paperback, I often receive Facebook messages and emails from people who have read it in two days.

CARTER: I’d like to go on record as saying that I think “Eating Smoke” has “Hollywood” written all over it, and I expect your story to be optioned for film rights. Johnny Depp is slated to play the lead role in “Shantaram”, and Leo DiCaprio starred in “The Beach”.

Do you have any preference for actors to play yourself in “Eating Smoke”: The Motion Picture, like Shia LaBeouf or Justin Bieber (just joking!)? Who would you want to direct?

THRALL: *laughing* So long as the guy was English, a good actor, and resembled my character at the time, I wouldn’t mind. I don’t have a preference – I’m not that clued up on 25-year old English actors, to be honest!

As for a director, Danny Boyle would be my choice. I loved “The Beach”, “Trainspotting”, “Slumdog Millionaire” and “127 Hours”. It would require someone with his perception to be able replicate the psychosis that I experienced, accurately.

Continued on October 20, 2011  in Eating Smoke – Part 5, return to Part 3, or if you have the time and do not want to wait for the five-part series to finish posting, click View as Single Page.

Chris Thrall was born in the UK. At eighteen, he joined the Royal Marine Commandos. Following active service in the Northern Ireland Conflict and training in Arctic warfare and survival, he earned his parachutist’s ‘wings’ and went on to serve as part of a high-security detachment onboard an aircraft carrier. In 1995, Chris moved to Hong Kong to oversee the Asia-Pacific expansion of a successful network-marketing operation he’d built, part-time, while serving in the Forces. Less than a year later, he was homeless, hooked on crystal methamphetamine and working for the 14K, Hong Kong’s largest triad crime family, as a doorman in Wanchai’s infamous red-light district. Eating Smoke, a humorous yet deeply moving first book, is his account of what happened.

__________________________

Travel photographer Tom Carter is the author of CHINA: Portrait of a People, a 600-page book of photography from the 33 provinces of China, which may be found on Amazon.com.

To subscribe to “iLook China”, sign up for an E-mail Subscription at the top right-hand side of this page and then follow directions.


Eating Smoke — a question and answer with the author, Chris Thrall – Part 3/5

October 18, 2011

Guest-Post by Tom Carter
Interview with Chris Thrall, author of Eating Smoke continued…

CARTER: One of the main characters in “Eating Smoke” is a Filipina prostitute named Apple who, after being your friend, sells you out to the triads.  Filipinos are the second largest ethnic group in Hong Kong, however their career paths seem to be limited as nannies for wealthy families, cover bands, or bar girls.

Why is that, and do you think their situation will ever improve?

THRALL: I think it’s because the Philippines’ economy is relatively poor when compared to Hong Kong’s. Even with the pittance they receive in wages, these women are able to send a lot of hard-earned dollars home to their families, while getting a travel experience they likely otherwise ill afford.

As to whether their situation will improve, Filipinos are generally humble, in my experience. They don’t complain and seem to appreciate the chance to earn money abroad.

Of course, wherever there is inequality, they’ll be incidents of exploitation, which isn’t nice. But if their union – if there is such a thing – pushed for higher pay then perhaps the demand for their services would drop off as there are Hong Kong locals who could fill these jobs.

CARTER: Another reoccurring character in Eating Smoke is an expatriate named Cameron who insists on trying crystal meth despite your warnings of its highly addictive nature.  Cameron shows up later in the book exclaiming how much he loves the drug even though it’s obvious that he, too, is now addicted.  To quote a passage in your book, “Unable to stop and not wanting to anyway.”

What about methamphetamine makes it so popular even though everyone knows that it can, nay, will destroy you?

THRALL: I can only speak from my own experience. Some people try meth and say, “Ah. It’s OK. But nothing special.” Then get on with their life. For others it seems to be the key in lock, the answer to all of life’s insecurities and problems. Perhaps people in the former category have had more stable upbringings and hence less insecurity and the resultant need to feel “right” for a change.

A drug that makes you feel cool, calm and supremely confident, in addition to giving you a massive surge of creative energy – allowing you to discover abilities you were told you were a failure at in school – is always going to be in demand.

The problem is, like Superman with his Kryptonite, you begin to crave that feeling more and more to the point where you no longer feel normal without it. That’s called addiction. Either you beat it or it destroys you.

Continued on October 19, 2011  in Eating Smoke – Part 4, return to Part 2 or if you have the time and do not want to wait for the five-part series to finish posting, click View as Single Page.

Chris Thrall was born in the UK. At eighteen, he joined the Royal Marine Commandos. Following active service in the Northern Ireland Conflict and training in Arctic warfare and survival, he earned his parachutist’s ‘wings’ and went on to serve as part of a high-security detachment onboard an aircraft carrier. In 1995, Chris moved to Hong Kong to oversee the Asia-Pacific expansion of a successful network-marketing operation he’d built, part-time, while serving in the Forces. Less than a year later, he was homeless, hooked on crystal methamphetamine and working for the 14K, Hong Kong’s largest triad crime family, as a doorman in Wanchai’s infamous red-light district. Eating Smoke, a humorous yet deeply moving first book, is his account of what happened.

__________________________

Travel photographer Tom Carter is the author of CHINA: Portrait of a People, a 600-page book of photography from the 33 provinces of China, which may be found on Amazon.com.

To subscribe to “iLook China”, sign up for an E-mail Subscription at the top right-hand side of this page and then follow directions.


Eating Smoke — a question and answer with the author, Chris Thrall – Part 1/5

October 16, 2011

Guest-Post by Tom Carter
Interview with Chris Thrall, author of Eating Smoke

Tom Carter, author of “CHINA: Portrait of a People”, catches up with Chris Thrall to discuss his new book “Eating Smoke, a memoir about Thrall’s descent into drug psychosis in Hong Kong’s triad heartland.

In the fall of 2009, whilst traveling in India to create my next photography book, I was contacted via email by a British writer who had read Down and out in Hong Kong, one of my online travel articles, which described this poor, dusty backpacker’s real-time impressions of Asia’s wealthiest city.

Chris Thrall said he connected with my article’s conclusion that, in spite of my western heritage, and due to my personal circumstances, I ultimately had more in common with the destitute third-world inhabitants of the Chungking Mansions, the infamous immigrant ghetto of Kowloon, than I did with the rich white bankers et al who comprise the other half of Hong Kong’s multinational population.

Chris went on to explain that he was writing a book about his own experiences living in Hong Kong, which was dramatically different from mine or any other expatriate I ever knew, and that he once worked for the 14K, the world’s largest Chinese crime family.

Attached to his email was the first chapter of his memoir, a gripping opening salvo that finds the narrator hiding from pursuing henchmen on a roof top—alongside two corpses, a disemboweled mother and child.

As a voracious reader, I know a bestseller when I see it.  I immediately forwarded Chris’s manuscript to my publisher in Hong Kong, Pete Spurrier, who runs the iconic Blacksmith Books, which specializes in Asian-themed literature.

Pete likewise was knocked off his feet by Chris’s incredible story; the next I heard, Chris was a fellow Blacksmith label mate with a book deal.

Chris Thrall was born in the UK. At eighteen, he joined the Royal Marine Commandos. Following active service in the Northern Ireland Conflict and training in Arctic warfare and survival, he earned his parachutist’s ‘wings’ and went on to serve as part of a high-security detachment onboard an aircraft carrier. In 1995, Chris moved to Hong Kong to oversee the Asia-Pacific expansion of a successful network-marketing operation he’d built, part-time, while serving in the Forces. Less than a year later, he was homeless, hooked on crystal methamphetamine and working for the 14K, Hong Kong’s largest triad crime family, as a doorman in Wanchai’s infamous red-light district.

Eating Smoke, a humorous yet deeply moving first book, is his account of what happened.

Continued on October 17, 2011 in Eating Smoke – Part 2, or if you have time and do not want to wait for the five-part series to finish posting daily, click View as Single Page.

__________________________

Travel photographer Tom Carter is the author of CHINA: Portrait of a People, a 600-page book of photography from the 33 provinces of China, which may be found on Amazon.com.

To subscribe to “iLook China”, sign up for an E-mail Subscription at the top right-hand side of this page and then follow directions.


America’s Misguided Missionary Obligation

October 12, 2011

Tom Carter, the author of China: Portrait of a People, sent me a link to a New York Times (NYT) piece, In India, Online Retailers Take a New Tack.

Carter did not suggest a subject for this post, but he did ask that I include the promotional video for his next book with whatever I wrote, and it “rather” fits the topic I decided to write about, which is that most of America may learn something from those Americans that “really” want to do business in China and India.

Besides, Carter’s photos of India are as stunning as those he took of China are.

Vikas Bajaj wrote the NYT’s piece, and we learn that Amazon is moving into India and whatever Amazon’s plans are for entering India’s consumer market, Amazon is not talking.

However, “while dozens of electronic commerce firms have recently sprung up to capitalize on India’s growing Internet use” Bajaj wrote, “they have a problem. Indians are not yet comfortable with shopping on the Web. Many of them remain unwilling to use credit cards online. So the Indian retailers have gone to great lengths to gain customers. Customers may pay in cash on delivery, and the company fields delivery squads to ensure shipments get to customers quickly.”

What we learn from this quote is that cultural differences influence how people shop but culture goes deeper than shopping habits, which is a fact that many Americans do not understand.

In addition, a Blog at Stanford.edu says, “Approximately half of Amazon.com’s revenue comes from outside the United States, according to the company’s Senior Vice President of International Retail, Diego Piacentini. This makes global strategy a key component to the company’s continued success,” and “Amazon aims to be the ‘most customer-centric company on the planet’.”

Then Matt Harvey, who wrote the post for the Stanford Blog, asked, “But what do you build, and how do you act, to make this mean something?”

The answer may come from Amazon’s Diego Piacentini when he said, “When Amazon began doing business in China in 2004, some of the company’s core values came into conflict with traditional business practice.” Meanwhile, Goldman Sachs was quoted in 2010 saying Amazon has competition in China with Taobao.com.

Taobao.com, the Chinese equivalent of eBay, generates estimated annual sales of close to $60 billion—about 75% of all online retail sales in China while, according to Goldman Sachs, Amazon had only $750 million in annual sales in China in 2009 with estimates that Amazon sales in China would increase to $1 billion in 2010. Amazon has a long way to go to catch up with Taobao.

The moral of this story is that Western retailers such as Amazon must learn to do business in other cultures such as China and/or India without attempting to change the people.

They must “start with the customer and work backwards”, which isn’t what most of America’s politicians and religious leaders are doing and the best quote that explains why comes from a Henry Kissinger quote  that I have used before. “American exceptionalism is missionary. It holds that the United States has an obligation to spread its values to every part of the world.”

From what I understand, two of the world’s greatest conquerors, Alexander the Great and Genghis Khan, knew the key to hold an empire together was not to change other cultures but to allow those cultures to remain unchanged, so why can’t the rest of the West learn from them?

Discover The Importance of Guanxi to Chinese Civilization

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Lloyd Lofthouse is the award-winning author of The Concubine Saga. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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