A simple drama with song and dance

April 5, 2016

Anqing, in Anhui Province, is regarded as the hometown of Huangmei Opera and Hui Opera. Anqing was first built in 1217 and is almost eight-hundred years old, but Huangmei Opera first appeared about two centuries ago as a simple drama of song and dance.

Huangmei opera does not involve the traditional opera gestures which often-used sleeves and step movements. The music is performed with a pitch that hits high and stays high and does not sound like the typical rhythmic Chinese opera.

The fairy tale of the Cowherd and the Weaving Girl is one of the four most famous folktales of ancient China. It is a classic love story between a fairy and a human being and has a widespread influence. The Qixi Festival is said to have something to do with the fairy tale, and the seventh day of every seventh month of the lunar calendar has become the Chinese Valentine’s Day.


Huangmei Opera Troupe

Chinese opera together with Greek tragic-comedy and Indian Sanskrit Opera are the three oldest dramatic art forms in the world. During the Tang Dynasty (618 – 907 AD), the Emperor Taizong established an opera school with the poetic name Liyuan (Pear Garden). Over more than 800 years, Chinese opera evolved into many different regional varieties based on local traits and accents. Huangmei Opera is one of them.

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Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the unique love story Sir Robert Hart did not want the world to discover.

A1 on March 13 - 2016 Cover Image with BLurbs to promote novel

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China’s Holistic Historical Timeline

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Posted by Lloyd Lofthouse

China’s Ancient Opera still Alive with Mao Wei Tao

December 1, 2015

Mao Wei Tao is considered a living treasure in China—she has an estimated 20 million fans. She imitates men in the opera roles she plays—a reversal from Imperial China when women were not allowed on stage so men played female roles.

“In 1923, the training of female actors for this art form was set up. Since 1928, the Shaoxing opera troupes, consisting of solely female actors, began their performances in Shanghai. In a few years, females impersonating males had become the most important feature of this opera form, and at the same time the Yue opera became well known all over China.”

East China’s Zhejiang province gave China’s Shaoxing Opera Mao Wei Tao, who in her decades long career on the stage is best known as an outstanding male impersonator with a cult following of women.

I was introduced to Yue Opera in Hangzhou, Zhejiang Province more than a decade ago.

Mao Wei Tao and her husband have a theater company near the shores of the famous Westlake. My wife translated while I watched the live-opera performance in fascination.

The costumes were lavish and the acting and opera was dramatic while classical Chinese music played in the background.

The challenge today is to keep this form of Chinese opera alive, because the audience for opera is shrinking dramatically in China while remaining popular with the older generation.

Television, movies and the Internet are claiming the shorter attention spans of younger Chinese.

Mao Wei Tao, considered an innovative genius on stage, adapts and works to keep the art form alive. According to her husband, no two performances are exactly alike.

In November 2010, she performed in Taiwan as a cultural ambassador from the mainland. Today, “the company continues to tour and has staged productions in Paris, Hong Kong, Korea, Macau, Taiwan, the United States, Singapore, Spain, Holland, France, Belgium and Japan.”  – bangkokfestivals.com

______________________________

Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the lusty love story Sir Robert Hart did not want the world to discover.

#1 - Joanna Daneman review posted June 19 2014

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China’s Holistic Historical Timeline

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Posted by Lloyd Lofthouse

Peking Opera

March 26, 2013

Peking Opera is a combination of several styles of Chinese opera.

The metamorphosis started during the Qing Dynasty (1644-1911), about two hundred years ago.

Peking Opera focuses on historical events, legends about emperors, ministers, generals, geniuses and great beauties.

Performances are a combination of singing, dialogue, pantomime and acrobatic fighting and dancing.

Today, Peking Opera is considered the highest expression of Chinese culture.

The origins of Peking Opera did not begin in Peking (Beijing).  The opera had its start in the Chinese provinces of Anhui and Hubei.

Experts say the opera was born in 1790 and was originally staged for the royal family and then the public.

There are thousands of these operas that cover the history and literature of China. Peking operas can be divided into two categories.

“Civil” operas focus on singing while “Martial” operas feature acrobatics and stunts.  Some are a combination of both.

If Peking Opera interests you, see Chinese Yu Opera with Mao Wei-tao

_______________

Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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2 Comments | China, Chinese arts and music, Chinese Culture, Chinese history, cultural differences | Tagged: , , , , , , | Permalink
Posted by Lloyd Lofthouse

China’s Huangmei Opera

October 8, 2012

Anqing, in Anhui Province, is regarded as the hometown of Huangmei Opera and Hui Opera. Anqing was first built in 1217 and is almost eight-hundred years old, but Huangmei Opera first appeared about two centuries ago as a simple drama of song and dance.


Huangmei Opera Troupe

Huangmei opera did not involve the traditional opera gestures which often-used sleeves and step movements. The music is performed with a pitch that hits high and stays high and does not sound like the typical rhythmic Chinese opera.

The fairy tale of the Cowherd and the Weaving Girl is one of the four most famous folktales of ancient China. It is a classic love story between a fairy and a human being and has a widespread influence. The Qixi Festival is said to have something to do with the fairy tale, and the seventh day of every seventh month of the lunar calendar has become the Chinese Valentine’s Day.

Chinese opera together with Greek tragic-comedy and Indian Sanskrit Opera are the three oldest dramatic art forms in the world.

Discover Peking Opera

______________

Lloyd Lofthouse is the award-winning author of The Concubine Saga. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

Subscribe to “iLook China”!
Sign up for an E-mail Subscription at the top of this page, or click on the “Following” tab in the WordPress toolbar at the top of the screen.

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Leave a Comment » | China, Chinese arts and music, Chinese Culture, Chinese history, cultural differences, history | Tagged: , , , , , , , , | Permalink
Posted by Lloyd Lofthouse

Chinese Opera and Mao Wei Tao, China’s Living Treasure

June 18, 2011

Mao Wei Tao is considered a living treasure in China. She imitates men in the opera roles she plays—a reversal from Imperial China when women were not allowed on stage so men played female roles.

“In 1923, the training of female actors for this art form was set up. Since 1928, the Shaoxing opera troupes, consisting of solely female actors, began their performances in Shanghai. In a few years, females impersonating males had become the most important feature of this opera form, and at the same time the Yue opera became well known all over China.”

East China’s Zhejiang province gave China Shaoxing Opera’s Mao Wei Tao.

In her thirty-year career on the stage, she’s best known as an outstanding male impersonator with a cult following of women.

I was introduced to Yue Opera in Hangzhou, Zhejiang Province about a decade ago.

Mao Wei Tao and her husband have a theater company near the shores of the famous Westlake. My wife translated while I watched the live-opera performance in fascination.

The costumes were lavish and the acting and opera was dramatic while classical Chinese music played in the background.

The challenge today is to keep this form of Chinese opera alive. The audience for opera is shrinking dramatically in China while remaining popular with the older generation.

Television, movies and the Internet are claiming the shorter attention spans of younger Chinese

Mao Wei Tao, considered an innovative genius on stage, adapts and works to keep the art form alive. According to her husband, no two performances are exactly alike.

In November 2010, she performed in Taiwan as a cultural ambassador from the mainland.

This revised and edited post first appeared on March 14, 2010 as Mao Weitao and Yue Opera

______________

Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too.

 

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3 Comments | China, Chinese arts and music, Chinese Culture, Chinese history, Chinese women, cultural differences, Taiwan | Tagged: , , , , , , , , , , , , | Permalink
Posted by Lloyd Lofthouse

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