Xi’an (Chang’ an) – China’s Ancient Capital – Part 4/5

October 24, 2011

Although Christianity and Islam were both introduced to China during the Tang Dynasty, Buddhism had deeper roots in the culture since it first arrived in China from India about 200 BC.

Christianity arrived in China in 635 AD (more than eight centuries after Buddhism and only a decade before Islam), when a Nestorian monk named Aluoben entered the ancient capital city of Tang Chang’ an.

Then in 629 AD, the Buddhist monk Xuanzang left Chang’ an against the emperor’s orders to travel the world in search of enlightenment. He went west toward India along the Silk Road with a goal to find original Buddhist scriptures.  He traveled 10,000 miles over three of the highest mountain ranges in Asia and was gone 16 years.

When Xuanzang returned in 645 AD, he had 1,300 scrolls of Buddhist Sutras, and requested the building of a pagoda, which became the Giant Wild Goose Pagoda—nearly 65 meters tall (more than 213 feet).  It was made of rammed earth, and the pagoda would collapse more than once and be rebuilt.  No one knows exactly how the Tang Dynasty engineers managed to build a structure that tall of rammed earth.

Neville Gishford‘s Discovery Channel documentary, China’s Most Honourable City, reveals the answer to a mystery when a hidden crypt beneath the Giant Wild Goose Pagoda is discovered using ground based radar. When The Tang Dynasty collapsed due to rebellion, the city was destroyed, but the Giant Wild Goose Pagoda was left untouched.

Gishford reveals that even though Tang Chang’ an was destroyed, the city was copied throughout Asia and one city in Japan, Kyoto (formally the imperial capital of Japan – 794 to 1869 AD), was a scaled replica of Tang Chang’ an.

In fact, in 1974, the modern city of Xi’an and Kyoto formally established a sister-city relationship.

However, this was not the end of Chang’ an (Xi’an). It would be rebuilt a third time.  In 1368, nearly five hundred years after the fall of the Tang Dynasty, the Ming Dynasty (1368 – 1643 AD) would rebuild the Great Wall in addition to Xi’an as a defense against the Mongols that had conquered and ruled China during the  Yuan Dynasty (1277 – 1367 AD).

Continued on October 21, 2011, in Xi’an (Chang’ an) – China’s Ancient Capital – Part 5 or return to Part 3

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Lloyd Lofthouse is the award-winning author of The Concubine Saga. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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Daughter of Xanadu – Part 4/4

April 20, 2011


A review (guest post) by Tom Carter of Daughter of Xanadu by
Dori Jones Yang

By story’s conclusion, Messer Polo, who witnessed and wrote about the Mongols’ real-life battle against the Burmese in his book, The Travels of Marco Polo, has elevated “Emmajin the Brave” into the living legend she wanted to be, though she now regrets it.

“These men needed a hero, but I no longer needed to be one.” She resigns her sword and rank, and departs with Polo back to Europe as the Khan’s emissary of peace, leaving the literary door wide open for a sequel.

Dori Jones Yang, who also penned the best-selling Pour Your Heart Into It: How Starbucks Built a Company One Cup at a Time, is a skilled historian.

In researching Daughter of Xanadu, Yang, fluent in Putonghua, traveled all the way to the ruins of Xanadu in remote Inner Mongolia, which this itinerant backpacker can personally attest is no easy journey.

The short chapters and brief sentences, edited with razor precision for a younger audience, along with a helpful glossary for ESL students, make reading Daughter of Xanadu a breeze, though adults will admittedly want to beg this book back afterwards from their tweens.

Return to Daughter of Xanadu – Part 3 or start with Part 1

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Travel photographer Tom Carter is the author of China: Portrait of a People (San Francisco Chronicle Book Review), a 600-page China photography book, which may be found at Amazon.com.

Discover more “Guest Posts” from Tom Carter with Is Hong Kong Any Place for a Poor American?

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Daughter of Xanadu – Part 3/4

April 19, 2011


A review (guest post) by Tom Carter of Daughter of Xanadu by
Dori Jones Yang

Authoress Dori Jones Yang is a Caucasian American, yet she is no stranger to writing from the perspective of conflicted adolescent Chinese girls, as evinced in her previous, award-winning novel, The Secret Voice of Gina Zhang.

In Daughter of Xanadu, she hones in even deeper into the physiological confusion and emotional conflictions that make youth such a joy, turning Emmajin into such a hormonal wreck that this male reviewer often found himself gritting his teeth in frustration at such contradictive revelations as, “if he had pursued me, I would have rebuffed him. By holding himself aloof, he challenged me to win back his esteem.”

Daughter of Xanadu is not all-teenage angst.  As our protagonist matures, so does the content of the story.

Emmajin eventually persuades Khubilai Khan to allow her to train for war against the Burmese at the Battle of Vochan (present-day Yunnan province), where the embarrassment of getting her period in front of the all-male troops is a bloody omen for what’s to come.

Upon seeing her cousin slain, innocent Emmajin is transformed into a “mindless killer.”

  Bloodlust unleashed, the young princess swings her sword indiscriminately (“the hatred pounded in my ears…killing him felt good”), resulting in hundreds of men dead by her hand alone.

One can only imagine all the Mulan vs. Emmajin fan fiction that this novel will inspire!

Continued on April 20, 2011 in Daughter of Xanadu – Part 4 or return to Daughter of Xanadu – Part 2

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Travel photographer Tom Carter is the author of China: Portrait of a People (San Francisco Chronicle Book Review), a 600-page China photography book, which may be found at Amazon.com.

Discover more “Guest Posts” from Tom Carter with Is Hong Kong Any Place for a Poor American?

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Daughter of Xanadu – Part 1/4

April 17, 2011


A review (guest post) by Tom Carter of Daughter of Xanadu by
Dori Jones Yang

Who would win in a fight: Mulan or Emmajin Beki or Teenage Angst, Mongolian-style? “Can you imagine, a mere girl fighting on the battlefield?”

The role of females in combat is a debate as timeless as war itself, and one that remains divisive and unresolved to this century.

While present-day arguments for and against allowing women in the military revolve around psychological and biological issues, back in olden times, one needed only cite “tradition” and “familial roles” to silence  the detractors.

The teenaged heroine of Dori Jones Yang’s new 13th-century historical fiction novel, Daughter of Xanadu, is one such detractor, albeit immutable.

 

Often imagining herself on the battlefield, “the son my father never had,” Emmajin Beki, the granddaughter of Mongolian king (and emperor of China’s Yuan Dynasty) Khubilai Khan (1215-1294), learned to ride a horse before she could walk and can outshoot all her cousins in archery.

 

She confidently and outspokenly aspires to emulate her female ancestors who assisted Chinggis Khan in conquering Asia (“the blood of all these earlier strong women flowed in my veins”).

Unfortunately, for this princess, “the days of strong women had ended once luxurious court life had begun.”

The Mongols, fattened, lazy and resting on their laurels, now prefer to tell stories of battles-past over lavish “orgies of excess” rather than engage in new wars, much to Emmajin’s restless discontent.

When she makes known her desire to “become a legend” like real-life women warriors Aiyurug Khutulun and Hua Mulan of China, the great Khan placates her by sending her on a secret mission to spy on a family of foreign merchants currently visiting the Mongol court.

Continued on April 18, 2011 in Daughter of Xanadu – Part 2

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Travel photographer Tom Carter is the author of China: Portrait of a People (San Francisco Chronicle Book Review), a 600-page China photography book, which may be found at Amazon.com.

Discover more “Guest Posts” from Tom Carter with Is Hong Kong Any Place for a Poor American?

If you want to subscribe to iLook China, there is a “Subscribe” button at the top of the screen in the menu bar.


The Qing – China’s Last Dynasty – Part 1/3

December 11, 2010

The Qing and/or Manchu Dynasty was established due to a revolution led by Li Tzu-cheng (1605-1645), who attacked Beijing in April 1644.

The Qing Dynasty survived from 1644 to 1911 AD.

After the rebels entered the city, the last Ming Dynasty emperor hung himself on a hill that is part of the Forbidden City.

Meanwhile, a Manchurian army led by Dorgan was allowed through the Great Wall, defeated the Chinese rebels, executed Li Tzu-cheng, and made Fu-lin, a Manchurian, the emperor of China, which was the beginning of the last imperial dynasty.

This was the second time in China’s history that foreigners ruled the Middle Kingdom. The first time was during the brief Mongol Yuan Dynasty (1277-1367 AD).

A CCTV 9 Travelogue History Special takes us on a tour of the Qing Dynasty.

During the Ming and Qing Dynasties, many wealthy businessmen built large estates on the fertile lands of Shanxi province not far from Beijing.

The Wang family’s estate is situated in Lingshi county. This mansion is an example of the architecture of the Qing Dynasty

This estate covers 150,000 square meters (about 180 thousand square yards).

There was even a school for the family’s children.

The host of this program says that walking into the estate’s courtyard is like walking into a museum.

Everywhere you look, there are works of art. Every stone carving, every statue means something. The art represents either family tradition or the Qing Dynasty culture or the social status of the family.

Continued in The Qing – China’s Last Dynasty – Part 2

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Lloyd Lofthouse is the award-winning author of “The Concubine Saga”, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too.

To subscribe to “iLook China”, look for the “Subscribe” button at the top of the screen in the menu bar, click on it then follow directions.