Celebrating the New Year but not always on the same Day or Month

December 30, 2015

The earliest recorded festivities in honor of a new year’s arrival date back some 4,000 years to ancient Babylon. For the Babylonians, the first new moon following the vernal equinox—a day in late March with an equal amount of sunlight and darkness—heralded the start of a new year.

If the first recorded New Year’s celebration was in March, how did it move to January 1st? The answer may be found at History.com where we discover that Emperor Julius Cesar introduced the Julian calendar, which closely resembles the more modern Gregorian calendar that most countries use today, and Cesar made January 1st the first day of the year, partly to honor the month’s namesake, Janus, the Roman god of beginnings.

Therefore, if you celebrate the New Year on January 1st, you are celebrating a pagan holiday. But all is not lost. Later, after the fall of the Roman Empire, Christian leaders in medieval Europe during the Dark Ages replaced January 1st as the first day of the year with days carrying more religious significance such as December 25, the anniversary of Jesus’s birth—until Pope Gregory XIII (Born 1502 – Died 1585) reestablished January 1st as New Year’s Day in 1582.


Countries that do NOT celebrate the New Year on the first of January

For China, the first day of the New Year falls between January 21 and February 20.  The Chinese New Year is celebrated at the turn of the Chinese calendar, also known as the Spring Festival.

The Chinese New Year gained significance because of several myths and traditions. History.com says, “The ancient Chinese calendar, on which the Chinese New Year is based, functioned as a religious, dynastic and social guide. Oracle bones inscribed with astronomical records indicate that it existed as early as the 14th century BC, when the Shang Dynasty was in power.”

Traditionally, the festival was a time to honor deities (gods) as well as ancestors. The Chinese New Year is celebrated in countries and territories that have significant Chinese populations, including Mainland China, Hong Kong, Macau, Taiwan, Singapore, Thailand, Cambodia, Indonesia, Malaysia, Mauritius, and the Philippines.

In 2015, China witnessed 261 million people on the move to celebrate the Lunar New Year holiday, and they traveled by road, rail and air—all over a short period of time. The Chinese Lunar New Year for 2016 takes place on Monday, February 8, and it is a national holiday that runs from February 7 – 13.

When we visited China in 2008 during this holiday, the Lunar New Year on February 7, the Year of the Rat, and 2016 will be the Year of the Monkey. Each year is related to an animal sign according to a 12-year-cycle. Years of the Monkey include 1920, 1932, 1944, 1956, 1968, 1980, 1992, 2004, 2016, and 2028.

Back during the Year of the Rat in 2008, my sister and her youngest daughter traveled with us as we toured China—and both are evangelical Christians who did not agree with China’s one-child policy. I heard this more than once but after they arrived in China and experienced that migration, they both stopped preaching about why the one-child policy was wrong.

At times, it was so crowded that it felt as if we were swimming upriver through an ocean of people minus the water—just people packed tight like sardines in a can.

That’s when I decided that my next trip to China will not be during any of China’s national holidays—especially the Lunar New Year.

For readers who haven’t been to China, this may be your only chance to experience a taste of what it is like to live in a country with more than 1.3 billion people. By the way, 261 million people are more than 82% of the population of the United States. Imagine the gridlock if that many Americans took to the roads and air all at once.

In China, it is so crowded on trains and busses during this holiday, that it’s possible for a passenger to end up standing for a trip that might take 16 to 48 hours.

For the United States in 2014, the Automobile Club reported that 98.6 million Americans traveled during the Christmas to New Year holiday season, a four percent increase over 2013.

 
2014 Lunar New Year in Beijing, China


Sounds like a War!

In 9th century China during the Tang Dynasty, Chinese alchemists, searching for the elixir of immortality, because the emperor wanted to live forever, accidently created gunpowder instead and then the invention of fireworks followed in the 10th century.

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Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the lusty love story Sir Robert Hart did not want the world to discover.

#1 - Joanna Daneman review posted June 19 2014

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The Popular Street Art of Chinese Calligraphy

December 2, 2015

Chinese calligraphy is demonstrated in the videos included with this post. In China, many artists use sidewalks as a canvas and a brush with water to paint the beauty of calligraphy. As the water evaporates, the art vanishes.

In fact, calligraphy is more popular than ever. After the Cultural Revolution (1966 until 1976 when Mao died), many people turned to calligraphy in the hope of finding solace in the calm repetition of its exercises. Then, in 1981, the Chinese government took the lead in setting up a Chinese Calligraphers Association, the first such nationwide body ever to be established in the country.

Both a language and an art, Chinese calligraphy has been traced back more than 4,000 years to the crude form called “Jia Gu Wen” found on turtle shells from the Shang Dynasty.

Calligraphy first bloomed as an art during the Han Dynasty but by the time of the Tang Dynasty, it had declined as an art. > Chinese Calligraphy History

It would be difficult to talk about Chinese art without understanding Chinese calligraphy and its artistic inspiration. A painting has to convey an object, but a well-written character conveys only its beauty through line and structure.

In Shanghai on sidewalks, or Beijing at The Summer Palace, I’ve watched men with long handled brushes, as seen in the first video, using water for ink and concrete for paper. With grace, they exhibit the skills of a Rembrandt breathing life into the characters.

America’s so called street artists should copy the Chinese that practice calligraphy and trade in their cans of spray paint for brushes and water, which would save US taxpayers a lot of money.

Lin Yutang writes in My Country and My People that Western art is more sensual, more passionate, fuller of the artist’s ego, while the Chinese artist and art-lover contemplates a dragonfly, a frog, a grasshopper or a piece of jagged rock—more in harmony with nature.

Owing to the use of writing calligraphy with a brush, which is more subtle and more responsive than the pen, calligraphy as art is equal to Chinese painting.

Through calligraphy, the scholar is trained to appreciate, as regards line, qualities like force, suppleness, reserved strength, exquisite tenderness, swiftness, neatness, massiveness, ruggedness, and restraint or freedom.

Maybe this helps explain why the Chinese are not as warlike as Christian and Islamic cultures.

______________________________

Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the lusty love story Sir Robert Hart did not want the world to discover.

#1 - Joanna Daneman review posted June 19 2014

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China’s Ancient Opera still Alive with Mao Wei Tao

December 1, 2015

Mao Wei Tao is considered a living treasure in China—she has an estimated 20 million fans. She imitates men in the opera roles she plays—a reversal from Imperial China when women were not allowed on stage so men played female roles.

“In 1923, the training of female actors for this art form was set up. Since 1928, the Shaoxing opera troupes, consisting of solely female actors, began their performances in Shanghai. In a few years, females impersonating males had become the most important feature of this opera form, and at the same time the Yue opera became well known all over China.”

East China’s Zhejiang province gave China’s Shaoxing Opera Mao Wei Tao, who in her decades long career on the stage is best known as an outstanding male impersonator with a cult following of women.

I was introduced to Yue Opera in Hangzhou, Zhejiang Province more than a decade ago.

Mao Wei Tao and her husband have a theater company near the shores of the famous Westlake. My wife translated while I watched the live-opera performance in fascination.

The costumes were lavish and the acting and opera was dramatic while classical Chinese music played in the background.

The challenge today is to keep this form of Chinese opera alive, because the audience for opera is shrinking dramatically in China while remaining popular with the older generation.

Television, movies and the Internet are claiming the shorter attention spans of younger Chinese.

Mao Wei Tao, considered an innovative genius on stage, adapts and works to keep the art form alive. According to her husband, no two performances are exactly alike.

In November 2010, she performed in Taiwan as a cultural ambassador from the mainland. Today, “the company continues to tour and has staged productions in Paris, Hong Kong, Korea, Macau, Taiwan, the United States, Singapore, Spain, Holland, France, Belgium and Japan.”  – bangkokfestivals.com

______________________________

Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the lusty love story Sir Robert Hart did not want the world to discover.

#1 - Joanna Daneman review posted June 19 2014

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California’s Chinese during the Gold Rush: Part 1 of 2

November 24, 2015

Guest post by John Putnam

Of all the diverse peoples that poured into California after the discovery of gold, none stood out more than the Chinese. Radically different in dress, language and culture these new men were first welcomed because of their willingness to work hard for low wages at any task presented them.

John McDougall, the 2nd Governor of California, described them as “one of the most worthy of our newly adopted citizens.”

At the start of 1849 only 54 Chinese were in California. By1852 there were nearly 12,000 living here and only seven of them women. Because of turmoil in Canton another 20,000 would arrive that same year.

A community of Chinese Americans quickly grew in San Francisco. They marched in Fourth of July parades and rejoiced at California’s statehood, but celebrated their lunar new year in their traditional way.

In 1852 a Cantonese opera was performed at the American Theater and in 1854 a Chinese language newspaper began publishing.

The Kong Chow Association formed to help the new arrivals adapt to their new home. Then another, the Chew Yick, elected Norman As-sing, an English speaking owner of the Macao and Woosung Restaurant as their leader. Soon there were six associations called tongs that combined to form the Six Companies to better represent Chinese interest.

Continued on November 25, 2015 in Part 2

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Reprinted by permission.
First published May 23, 2011 in My gold rush tales.
John Rose Putnam is the author of four novels.

 

The River of Corn

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Is Guanxi China’s Cultural System of Grass Roots Business and Justice?

November 17, 2015

In lieu of a Western style legal system for most of China’s history, Guanxi offered an alternative for thousands of years to foster innovation, develop trust and contribute to trade and commerce.

Sir Robert Hart (1835 – 1911), the godfather of China’s modernization and the main character in my historical fiction novel, discovered the importance of Guanxi soon after he left the employ of the British and went to work for the Emperor.  He quickly learned that a “supreme value of loyalty glued together China’s structure of personal relationships.” Source: Entering China’s Service

In addition, Hart wrote in a letter in 1891, “These people (referring to the Chinese) never act too soon, and, so far, I have not known of their losing anything by being late. To glide naturally, easily and seasonably into the safe position sequence as circumstances make, is probably a sounder though less heroic policy for a state than to be forever experimenting—”

To translate, it takes time to develop a relationship/friendship/trust (Guanxi) that all involved might benefit from.


Warning: This is a Promotional Video. However, it offers a perspective on Guanxi worth watching.

However, I did not learn about Guanxi from Robert Hart. I first learned of it from the China Law Blog, which quoted the Silicon Hutong Blog.

Then I did more research and watched a few videos on the subject. I learned that Guanxi is one of those complexities of Chinese culture that does not translate easily.

There are several elements and layers to Guanxi. First, Guanxi is based on a Confucian hierarchy of familial relationships, long-term friendships, classmates, and schoolmates and to those no stranger – Chinese or foreign – will ever have access.

Guanxi developed over millennia because China did not have a stable and effective legal system similar to the one that developed in western countries.

In fact, the legal system in China today is relatively new and made its appearance after the 1982 Chinese Constitution became the basis of the law.

Since 1982, there have been several amendments to the Constitution as China adapts its evolving legal system, which was modeled after the German legal system.

In time, this Western influenced legal system may replace Guanxi since business law modeled on Western law with Chinese characteristic has developed faster than civil law.

There are a several opinions about Guanxi. I learned that Guanxi is similar to a gate that opens to a network of human beings, but it isn’t that simple.

Maintaining Guanxi is different than how relationships are maintained in other cultures. The embedded videos with this post offer a more detailed explanation.

The China Law Blog copied the post from the Silicon Hutong Blog. The post on the China Law Blog had more than twenty comments and it was a lively discussion worth reading if you are interested in discovering more.

______________________________

Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the lusty love story Sir Robert Hart did not want the world to discover.

IMAGE with Blurbs and Awards to use on Twitter

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