Joining the Party

March 11, 2013

The Chinese Communist Party (CCP) has 83 million members, more than a quarter of the US population. For a comparison, there are about 63-million Democrats, 47-million Republicans and 32-million independents registered to vote in the United States.

How does a Chinese citizen become a member of the CCP?

One source for CCP members may come from the Communist Youth League of China that has 73-million members. China’s Youth League, although overseen by the CCP, is a separate organization. The two are not necessarily one and the same and not all Youth League members go on to join the CCP.

The China Daily says, “It (the Youth League) is a school where a large number of people learn about socialism with Chinese characteristics and about communism through practice. It is the Party’s assistant and reserve force.”

However, “Many of today’s party members are culled from the top ranks of high schools and colleges: top students are invited to join the party, and it is the sort of invitation that can’t be refused. Others can be nominated by friends who are party members, or apply on their own initiative if they have the support of other party members. During the past two decades, the ranks of the party have been expanded to include businessmen (who were previously not allowed to join) as well as more ethnic minorities, who currently account for 7 per cent of party members.” Source: Beyond Bricks

The conclusion of Leslie Hook’s Beyond Brick’s piece quoted Sidney Rittenberg, who says of the CCP, “Dictatorship gives you more dictatorship, not democracy.”

But, I do not agree with the term “dictatorship” to describe the CCP.  China is ruled by an authoritarian, one party political system and decisions are made by the consensus of hundreds of Party members. A dictatorship is a form of government in which absolute power is concentrated in a dictator or a small clique. Source: Merriam-Webster.com

There are also factions within the CCP that have different political opinions and agendas that balance each other. Political theorists have identified two groups within the Communist Party, a structure which has been called “one party, two factions”. The first is the “elitist coalition” or Shanghai clique which is composed mainly of officials who have risen from the more prosperous provinces. The second is the populist coalition, the core of which are the tuanpai, or the Youth League faction which consists mainly of officials who have risen from the rural interior, through the Communist Youth League.

Within his “one party, two factions” model, Li Cheng has noted that one should avoid labeling these two groupings with simplistic ideological labels, and that these two groupings do not act in a zero-sum, winner take all fashion. Neither group has the ability or will to dominate the other completely.

Then there is this study from the China Quarterly that explains why we find so many of China’s wealthy as members/supporters of the CCP.

“This article presents original survey data from 1999 and 2005 to evaluate the Communist Party’s strategy towards the private sector. The CCP is increasingly integrating itself with the private sector both by co-opting entrepreneurs into the Party and encouraging current Party members to go into business. It has opened the political system to private entrepreneurs, but still screens which ones are allowed to play political roles. Because of their close personal and professional ties, and because of their shared interests in promoting economic growth, China’s capitalist and communist officials share similar viewpoints on a range of political, economic and social issues. Rather than promote democratic governance, China’s capitalists have a stake in preserving the political system that has allowed them to prosper, and they are among the Party’s most important bases of support.” Source: The China Quarterly, 192, December 2007, pp.827-854

Discover Rumors of China – Fact or Fiction

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Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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Impressions of Liu Sanjie

March 5, 2013

While visiting China in September/November of 2008, we went to Guilin, went underground to the Reed Flute Cave, hiked the Dragon’s Back, cruised the Li River and spent two days in Yanghsuo.

Then we saw Zhang Yimou’s breathtaking staged production, the Impressions of Liu Sanjie, that I recommend to anyone visiting Southeast China.

Zhang Yimou, the director, is an internationally acclaimed Chinese filmmaker. He made his directorial debut in 1987 with the film “Red Sorghum”.

In the 1990s, Zhang Yimou directed “Raise the Red Lantern”—nominated for Best Foreign Language Film at the 1991 Academy Awards.

The “Impressions of Liu Sanjie” is performed on the river at night. However, you may be more familiar with Zhang Yimou’s opening and closing ceremonies for the 2008 Beijing Olympics.

The “Impressions of Liu Sanjie” is performed with the Karst Mountains and the Li River as the setting.

 The cast comes from the local Guangzi Zhuan Autonomous Region  and many may be fishermen by day and actors at night and are from the Zhuang and Yao minority groups, who live in that region.

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Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

2015 Promotion Image for My Splendid Concubine

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Caressing nature with a long handled brush

March 4, 2013

It would be difficult to talk about Chinese art without understanding Chinese calligraphy and its artistic inspiration. A painting has to convey an object, but a well-written character conveys only its beauty through line and structure.

In Shanghai, or Beijing, I’ve watched men with longed handled brushes, as seen in the first video, using water for ink and concrete for paper. With grace, they exhibit the skills of a Rembrandt breathing life in the characters.

Lin Yutang writes in My Country and My People that Western art is more sensual, more passionate, fuller of the artist’s ego, while the Chinese artist and art-lover contemplates a dragonfly, a frog, a grasshopper or a piece of jagged rock—more in harmony with nature.

Owing to the use of writing calligraphy with a brush, which is more subtle and more responsive than the pen, calligraphy as art is equal to Chinese painting. Through calligraphy, the scholar is trained to appreciate, as regards line, qualities like force, suppleness, reserved strength, exquisite tenderness, swiftness, neatness, massivness, ruggedness, and restraint or freedom.

This helps explain why the Chinese may not be as warlike as Christian and Islamic cultures.

Discover Chinese Yu Opera with Mao Wei-tao

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Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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China’s Hammered Dulcimer

February 26, 2013

The yangqin, the Chinese Hammered Dulcimer, probably did not originate in China. It came from either Europe or Persia about five centuries ago and was adapted to fit Chinese music.

One theory says that the yangqin came to Chinese on the Silk Road. A second theory says it arrived in China with Portuguese traders in the 1500s.  A third theory says the instrument was developed in China without foreign influence from an ancient stringed instrument called a Zhu.

However, it is a young instrument by Chinese standards, and was first heard during the Ming Dynasty (1368 to 1644).  Later, it was commonly used in Chinese Operas. In Modern China, the yangqin is a major discipline in the College of Music.

The yangqin has over 100 strings that are struck with thin bamboo sticks that have rubber tips on one end.  When struck with the rubber end, a soft sound is heard.  When the strings are struck with the other end of the stick, without the rubber tip, a crisper sound is heard.

Around the world, there are many versions of the hammered dulcimer all designed and played in a similar fashion, but each country has its own distinct sound influenced by culture.

If you enjoyed learning about and listening to the yangqin, discover The Pipa

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Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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From China to India for Enlightenment

February 19, 2013

I mentioned Hsuan-tsang (Xuanzang) when I wrote about China’s Three “Journeys to the West”. However, in that post I did not go into detail about the real Buddhist monk who made the journey.

While doing some research about his life, I discovered an intellectual discussion at Philosophy and Marxism Today.  If this topic interests you and you want to learn more about Buddhism I recommend reading this conversation between Thomas Riggins and Fred.

Thomas starts with, “I’ll start with background based on Chan’s introductory remarks.

“Hsuan-tsang (596-644) was quite a character. He entered a Buddhist monastery when he was thirteen. Then moved around China studying under different masters. Finally, he went off to India to study Buddhism at its source and with Sanskrit masters.

“He spent over ten years in India, wrote a famous book about his journey, and returned to China with over six hundred original manuscripts.

“He spent the rest of his life with a group of translators rendering seventy five of the most important works into Chinese. All of this work was sponsored by the Emperor of the newly established T’ang Dynasty (618 – 906 AD).”

The book I have on Hsuan-tsang says he lived from 602 to 664 AD.

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Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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