The meaning of Democracy’s Freedoms and the Nature of the Western Media Beast – Part 1/5

July 9, 2012

China is often criticized for not offering the same freedoms of religion, the media, and expression that the United States offers its citizens.

However, no one seems to question what these freedoms mean and are they real? Do these freedoms put food on the table?  Do these freedoms pay the rent or mortgage? Do these freedoms provide jobs and financial security?

Many eligible Americans don’t vote and America’s next president will be decided by a few hundred people in the U.S. Electoral College, so why are these freedoms so important?

I subscribe to Poets and Writers magazine and a line in the March/April 2012 issue caught my attention.

Stephen Morison Jr. wrote a piece called Middle Eastern Rhythms. He interviewed several authors and poets in the middle east where these freedoms Americans take for granted do not exist.

Nourredin Zuhair, a traditional Arabic poet, said, “America was good because it encouraged individuality, but because of capitalism there is only one kind of individuality now… In the contemporary, globalized world, a new kind of censorship means you can never say democracy is bad.”

There is some truth in Zuhair’s words. We may have freedom from government interference in what we say or write, but we are not free from other critics and the special interest mobs that use the media to push political and/or religious agendas causing this form of globalized individuality that Zuhair talks of.

In fact, the so-called free media contributes the most toward the growth of this cloned globalized individual.

Ask someone what these freedoms mean and see what he or she says. Ask if it makes life better

Continued on July 10, 2012 in The meaning of Democracy’s Freedoms and the Nature of the Western Media Beast – Part 2

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Lloyd Lofthouse is the award-winning author of The Concubine Saga. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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July 8, 2012

An interesting post on how the growing film industries in Asia (China, India, etc.) may build bridges between Asian cultures bringing them closer together but with a cautionary conclusion.

jodylan89's avatarJody-Lan Castle

Its ludicrous to imply that Bollywood and the Chinese film industry could have any impact on relations between India and China, let alone reflect any warming between the two states.

I was taken aback by a recent article in the South China Morning Post, Hong Kong’s leading newspaper, entitled “Bollywood calling” by Charukesi Ramadurai, which surmised “after years of friction, relations between two of the world’s oldest cultures appear to be on the mend – so what if pop culture is the catalyst?”

She describes an increasing interest of Bollywood in China, and a growing inclusion of ‘Chinese’ themes in Indian cinema. Charukesi was right to spot a trend, as there have been many movies over the years either set in China or China-themed, for example Awara Hoon (1951), China Town (1962), Naam (1986), and more recently, Chandni Chowk to China (2009).

And as for Chinese movies in India, Jackie Chan…

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July 8, 2012

I agree with this comment from Souvenir Kattunge, “Mind you, if you looked at the other communities, the Italians, Greeks, Portuguese, etc. The trend is very similar. North Americans like to consider themselves as very tolerant of things like mixed marriages but it’s more like they’re tolerant of mixed marriages that don’t involve their family members.”

jodylan89's avatarJody-Lan Castle

I have learned a lot since the last post on racism in Hong Kong, having filmed and interviewed many great people. Time to empty my head…

Fortunately for me, I got to chill out with the ‘Sikhs in the City‘, the first HK-born Indian Dragon Boat Race team. Team leader Gurmeet Singh expressed their excitement at getting to take part in something that even his Father’s generation hadn’t. Anyone watching (and many people did) as the 12 Punjabi men switched seemlessly between Punjabi and Cantonese (and English to speak to me), could plainly see how someone can be both Indian AND Hongkongnese. And the people around them really seemed to appreciate them (at least on Cheung Chau they did).

Punjabi Hong Kong dragon boat team

We sat to eat an array of Chinese seafood dishes. And the irony was that I (with a Chinese appearance) was the only one struggling with chopsticks. Funnily enough…

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July 8, 2012

A young woman searching for her roots.

jodylan89's avatarJody-Lan Castle

Embarking on a journey to discover my own ethnically diverse background.

Mixed-race people, like me, are now the largest and fastest growing ethnic minority in the UK. My own immediate family is a perfect example of the growing trend. My Mother is Chinese, born in Malaysia, and my Father was a mix between Irish and Roma travellers.

My parents didn’t go through the same challenges in marrying into a different ethnicity as many others did, including the BBC’s George Alagiah for example. In fact, for my Mother growing up as the only Chinese girl in her class, shortly after coming over from Malaysia, she luckily didn’t experience any racial discrimination. “I never thought why is he [my step-Father] white and why am I Chinese? We didn’t even think about race then,” she said.

This is quite a world apart from the England I grew up in – Folkestone, Kent in…

View original post 986 more words


The Sex and the City Generation and the Mulberry Child – Part 2/2

July 3, 2012

While I was reading the reviews on Amazon of the memoir Mulberry Child, I thought that many critics in the West that crucify the Chinese Communist Party due to Mao’s Cultural Revolution (1966 – 1976) seldom mention similar suffering that is happening somewhere else in the world every day.

For example, in India, between 6,000 to 13,000 children die of starvation daily (depending on the source/study you read). Tens of millions have died of starvation and malnutrition since India became a democracy in 1947—constantly repeating a history of suffering generation after generation.

In fact, Mao’s Cultural Revolution is now history as slavery in the United States was (past tense—slavery has returned) history due to the bloody American Civil War (1861 – 1865) and the Civil Rights Movement in the US (1955 – 1968).  Parents should learn from the mistakes of history and teach the children so they may avoid making the same mistakes.

Jian started writing the “Mulberry Child” memoir in the year 2000 when her daughter Lisa was still a teenager. The reason she wrote the memoir was because she was having difficulty communicating with her daughter and did not want her to forget where she came from (Lisa was born in China and came to the US at age four years six months).  It took eight years for Jian to finish the memoir due to her demanding work schedule.

The memoir focuses on the past but the documentary focuses on the present—the relationship between a mother and daughter.

At first, when the documentary of the “Mulberry Child” went into production, Lisa, the daughter, resisted getting involved. Today, she is proud that she was part of the process, and she is still discovering what her Chinese heritage means.

However—it is obvious from watching the YouTube interview (above)—Lisa is more of an American member of the “Sex and the City” generation than she is a Chinese immigrant to the US.

Therefore, it is the duty of mothers/parents that love their children—that do not want them to repeat the mistakes of the past—to take them on this journey of discovery that Jian Ping took her daughter Lisa on.

Once the next generation forgets the suffering of the past, history may repeat itself.

Return to The Sex and the City Generation and the Mulberry Child – Part 1

______________

Lloyd Lofthouse is the award-winning author of The Concubine Saga. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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