Cinema Romance Gaining Popularity in China

December 9, 2010

Romance is in the air in China’s cinemas, and Tom Carter showed us how the Western Romeo and Juliet concept of romance got its start in China in 1995 when Harlequin (US  Romance publisher) received permission “to bring romance to millions of Chinese women”.

That beginning grew to more than a thousand romance novels written by mainland Chinese authors last year.

The growing interest in fictional romance has also spilled seriously into mainland Chinese film.

Cfensi (a source for Chinese entertainment news) says that recently, modern day romance movies in China have taken off. “Cinema goers in China want the choice of light-hearted entertainment from the cinema, and the Chinese film industry is rapidly accommodating that niche in the market.”

Interview with Tony Leung, who often plays the leading man in movies with beautiful actresses.

In fact, one star benefiting from this demand for romance may be “Tony Leung (who) has been called the Clark Gable of Asia, and it’s not hard to see why: he’s handsome, with the enviable frame of a man who can put on anything knowing it will both flatter him and fit him.” Source: The

Then Tiger Cinema offers a list of Chinese Romance movies with links to “try now”. The titles for a few of these movies are revealing: If You Are the One, Some Like It Hot, All About women, L For Love – L For Lies, Call For Love, and My DNA Says I Love You.

The summary for If You Are the One says, “A story about love in comical situations depicts how difficult it often is to find the right person, but also how often we don’t realize it when love hits us at the most unexpected times.”

Cfensi says, “With China’s total box office up 44% in 2009, and 1.65 cinema screens added per day, with no signs of slowly down, this should only be one sign to look forward to of the growing diversification of China’s rapidly rising film industry.”


Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too.

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Exporting Western Romance to China

December 8, 2010

When Tom Carter’s guest post arrived about Harlequin Romance Invades China, my first thought was China is doomed.

First, American fast food arrived and now China is having a weight problem leading to poor health and the explosion of China’s Fat Camps

Then there is America’s car culture, which is catching on fast in a country that doesn’t have the strict environmental pollution laws that exist in the US and rural China is choked with smog.

Now, I learn that romance American style arrived in China as another blow to China’s ability to survive as a civilization. Weren’t the 19th century Opium Wars bad enough?

Eating fast food that destroys bodies, smoking cigarettes, reading Harlequin Romances and driving carbon-spewing cars cannot be a good thing. 

Is this how “democracy” is going to make life better for the Chinese?

Since Harlequin romance novels flew into China on collagen-filled lips, attitudes toward love have changed.

“According to Enjoy Reading Era, a Beijing-based cultural company specializing in publishing romantic novels, 1,500 love stories by writers in the mainland were published last year, an all-time high. The company exported 50 romance novels to Hong Kong and Taiwan, while it only imported three novels from Taiwan.” Source: Show

Reading romance novels may explain the increase in the divorce rate in China and the high divorce rate in the US. After all, how can any real man compare to the ink and paper men on the pages of a Harlequin romance?

However, I may be wrong about what the West has exported to China. Thanks to Romance novels, China may no longer need the one-child policy since all those wheezing, unhealthy fat people driving cars instead of riding bicycles or walking will be reading trashy romance novels instead of making love.

This may end China’s population challenge.

In fact, GM and Ford are making huge profits in China as is McDonalds, KFC, Pizza Hut and Starbucks. Even Hooters is in China along with Wal-Mart.

Think of the profits these American corporations are earning to help make the rich richer.


Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too.

If you want to subscribe to iLook China, there is a “Subscribe” button at the top of the screen in the menu bar.

Harlequin comes to China wielding Butterfly Swords

December 8, 2010

A review of Jeannie Lin’s Butterfly Swords
Guest Post by Tom Carter

Enter Jeannie Lin, Harlequin’s rising red-star of romance writing.  She isn’t the first author on Harlequin’s roster to set her books in China (that honor goes to Jade Lee and her infinite “Tigress” series). 

However, Lin’s debut novel, Butterfly Swords, has been attracting a viral buzz louder than a summertime cicada not just for being the first Harlequin novel to NOT feature a man on the cover, but for using an Asian model as the cover girl, another Harlequin first.

The star of Butterfly Swords is a Chinese woman, yes.  But to give American readers something that they can relate to, the male love interest of Lin’s novel is not Chinese but a wandering whiteboy from the west. 

Ryam is drifting around the Tang (618-906 AD) empire begging for food (this sounds exactly like my own travels across China!) when he spots a disguised female being attacked by a pack of marauding bandits. 

The swordsman, who evokes images of bare-chested, fur underwear-wearing Thundarr the Barbarian from the eponymous 80’s cartoon, rescues her, then agrees to escort her home.

Little does Ryam know that young Ai Li is really a princess on the run from an arranged marriage to a dastardly warlord.  The two proceed on their journey together across the 7th-century frontier, getting in adventures and slowly but surely falling in love.

Pitting strength, courage and her fabulous butterfly swords against the forces of evil, Ai Li proves herself in the battlefield (“With Ai Li’s swords and determined spirit it was easy to forget that she was innocent”).

However, where the book has significant cultural crossover appeal is in author Jeannie Lin’s ability to keenly capture the multi-dimensional perspectives of both characters throughout their budding interracial relationship.

From Ryam’s course communicative abilities (“Where did you learn how to speak Chinese” Ai Li asks him, laughing. “You sound like you were taught in a brothel”) to his struggles with his inner-white demons as a big, bad bai gui (“It was so much easier to seduce a woman than talk to her”), the reader is introduced not to some empty-headed he-man but a complex male of the species who is genuinely torn between his biological needs and respecting Ai Li’s virtue. 

“I don’t understand what she’s talking about half the time,” Ryam grumbles to himself. “Everything is about honor and duty.”  Surely even expats living in present-day P.R.C. can relate to this dilemma.

Ai Li, meanwhile, finds herself attracted not only to Ryam’s “musky scent” and “sleek muscles” (Harlequin prerequisites; don’t blame the authoress), but his sincerity (“There was nothing barbaric about him. His manner was direct and honest. It was her own countrymen she needed to be worried about.”). 

The protagonist does find herself frustrated with “this swordsman with blue eyes and the storm of emotions that came with him,” but, true to life, Ai Li comes with her own personality flaws as well (“she was being irrational and she knew it”).

Of course, it wouldn’t be a Harlequin without passionate love scenes, something my fiancée missed in the heavily censored Chinese versions. 

This Jeannie Lin does in the poetic prose of a Tang Dynasty-era pillow book yet with just enough creatively-provocative language to keep sex-numbed westerners interested (“Ryam slipped his fingers into her silken, heated flesh…her body went liquid and damp in welcome.”).  And thankfully without ever once resorting to the word “loin.”

Ryam proves himself to be an ideal lover for nubile Ai Li, “rough enough to make her breath catch, gentle enough to have her opening her knees,” though one can’t help but wonder how these two nomadic warriors can go so long without bathing nor brushing their teeth yet still manage to say things like “her mouth tasted just as sweet as he remembered.” 

If only real life were as hygienic as a Harlequin novel.

One of the reasons why Harlequin is able to sell over 100 million units per year (the most profitable publishing company in the industry) is because every book is part of a series.

There are no individual Harlequin titles, which brilliantly leaves the reader yearning for more from the characters they have literally become so intimate with.  In this respect, Butterfly Swords concludes with a wide opening that screams sequel, but thankfully lacks the typical Harlequin-happy ending of matrimonial bliss.

One familiar with Chinese culture can’t help but wonder, then, what kind of future Ai Li and Ryam actually have together: in reality, Ai Li would put on weight, cut her hair short and become a shrill nag; her parents and grandparents would all move into their cramped apartment, and a frustrated Ryam, now with beer-belly, would spend more and more time at card games and with karaoke parlor hostesses than at home.

But before the infuriating realties of interracial marriage set in, we hope Jeannie Lin has at least a few more of her trademark sword fights and steamy sensuality in store.

Also by Tom Carter – Harlequin Romance Invades China


Travel Photographer Tom Carter traveled for 2 years across the 33 provinces of China to show the diversity of Chinese people in  China: Portrait of a People, the most comprehensive photography book on modern China published by a single author.

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