Raise the Red Lantern: a look at China’s concubine culture

June 18, 2014

This film was directed in China by Zhang Yimou in 1991, and it offers a view of life within a closed, culture of patriarchy (male dominated). The film is set in the 1920s during the Warlord Era, and it focuses on the ever-shifting balance of power between the various concubines while the husband ignores much of what’s going on—taking his pleasures when he feels like it.

Before 1949, women in China were the property of men who did what they wanted with that property.

China’s central government approved of the screen play but then banned the film for a time, because it paralleled the return the concubine culture in today’s China where wealthy married men support single women (the concubines) and often buy them apartments in trade for exclusive sex and companionship. But there is a difference. Today, in China, women are not the property of men as they were in 1920.

In fact, when my wife and I lived in Southern California, we ate at a small restaurant near our home. The owner was a former concubine of a wealthy Chinese man, who paid her off and sent her packing when she got too old. He used his influence and wealth to help her reach the United States while he went in search of a younger beauty to replace her. She used the money he paid her to leave to start a business in the U.S. She was lucky. Many modern-age concubines are just abandoned and have to find another master to support them and beauty fades.


Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

His third book is Crazy is Normal, a classroom exposé, a memoir. “Lofthouse presents us with grungy classrooms, kids who don’t want to be in school, and the consequences of growing up in a hardscrabble world. While some parents support his efforts, many sabotage them—and isolated administrators make the work of Lofthouse and his peers even more difficult.” – Bruce Reeves.


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