Exemptions in China’s ‘one-child policy’

November 5, 2010

We often hear criticism in the West about China’s one child policy but seldom hear about the exceptions to that law.

There is an exception to the ‘one-child policy’ for China’s ethnic minorities. However, population control must be explained to everyone anyway.

For example, to slow population growth, China asks the Islamic Imams of the ten million Hui Muslims in China to talk to the people who worship in their temples.

Many Hui live in one of the autonomous regions in Ningxia, between southern Gansu and Inner Mongolia.

We often hear of the Uighur Muslims since they have a separatist movement and sometimes protest, but the Uighur are not the only Muslims in China.

The Hui are unique among the fifty-six officially recognized minorities of China in that Islam is their only unifying identity. They do not have a unique language and often intermarry with Han Chinese.

In fact, many live outside the Hui autonomous area.

After the Imam reads from the Quran, he explains the need for population control.  The single-child policy is actually a one, two or three child policy for the Hui depending on where they live.

Even though the Hui may have more than one child, many stop after having only one.

Since minorities in China are a small segment of the population, China’s government has exercised flexibility with the birth rate in order to keep the minorities an important part of China’s culture—sort of like affirmative action in the US.

In addition, in the countryside, having more children provides more hands in the fields with the hard agricultural work.

Learn more about China’s One Child policy.  How would you like to be responsible to feed more than 1.3 billion people?

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Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too. 

If you want to subscribe to iLook China, there is a “Subscribe” button at the top of the screen in the menu bar.

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Posted by Lloyd Lofthouse

Jack London in China

November 1, 2010

This October at the Northern California Independent Booksellers Trade Show (NCIBA), I stopped at the University of Georgia Press booth searching for a book about Jack London (1876 – 1916).

In fact, Jack London, Photographer (ISBN 978-0-8203-2967-3) by Jeanne Campbell Reesman, Sara S. Hodson and Philip Adam was there, and I have a copy in front of me as I’m writing this post.

It is a beautiful book and proves that London had talent beyond writing stories such as White Fang or Call of the Wild.

London took photos in 1904 during the Russo-Japanese War in Korea and Manchuria.

On page 57, the caption says, “London had his camera confiscated in Japan and was often detained by Japanese officials when he got too close to the front lines, especially as the war spread to the Yalu River, the boundary between Korea and Manchuria.” 

The experiences London had in Korea and China would lead to an essay and a story that ignited a debate that he was a racist.


Jack London, Socialist-Capitalist

He wrote the The Unparalleled Invasion, which takes place in a fictional 1975, when the West decides to destroy China (for no good reason) by using biological warfare. I guess the West couldn’t sell opium to China anymore.

While at the NCIBA, I had two conversations about London. One editor said she had heard that London was a racist and she had trouble believing that.  Later, another editor from the University of George Press also said he didn’t believe London was a racist.

London’s 1904 essay, The Yellow Peril, may have contributed to the claim that he was a racist. Using Google, I found sites that support this theory.

However, after seeing the pictures in Jack London, Photographer (Amazon link), it is hard to believe he was a racist.

There have also been rumors that London committed suicide but there is no evidence to support that theory either.

If London were a racist, why did his Japanese servant Tokinosuke Sekine stay loyal to the end even after London was bankrupt and his “fair weather” friends had abandoned him?

See China: Portrait of a People

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Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too. 

If you want to subscribe to iLook China, there is a “Subscribe” button at the top of the screen in the menu bar.

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Posted by Lloyd Lofthouse

Chinese Drums

October 30, 2010

The earliest evidence of the use of drums in China was found in Oracle inscriptions from the Shang Dynasty (1783-1123 BC).

Drums were used to motivate troops, set a marching pace and for sending orders or announcements.

The drum had a purpose in almost all elements of Chinese life. Copper drums come from southern China and date to almost a thousand years before Christ.  The copper drum was also called the war drum.

The Han Dynasty used copper drums for war too.

The Fengyang Drum Dance originated in Anhui Province and was used by traveling musicians and dancers in the streets of villages and towns. In time, it would represent poverty.

Tibetan drums are part of the Sholdon (Yogurt) Festival, which occurs in late August.

Drums are also used for the traditional Chinese New Year’s Lion Dance.

Learn more about Chinese music — The Ancient Yue – 9,000 Years Old

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Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too. 

If you want to subscribe to iLook China, there is a “Subscribe” button at the top of the screen in the menu bar.

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Posted by Lloyd Lofthouse

The Machines of Ancient China — Part 4/4

October 29, 2010

Qin Shi Huangdi (259 to 210 BC), the first emperor who unified China, summoned 700,000 people to build his tomb. These people probably worked at least ten years or longer.

Modern day workshops that duplicated what it took to create the Terra Cotta warriors used ancient materials and methods. It took twenty days to complete one warrior.  Each warrior used an average of 130 kilos or 286 pounds of clay.

To complete the entire army, more than one thousand tons was needed.

Another Chinese inventor during the Song Dynasty created a machine known as the Cosmic Engine, the ancient world’s astronomical computer.

Su Song was the inventor.  The Cosmic Engine was so complicated that for centuries no one (even Westerners) understood how it worked. Today, few westerners know that it existed.

However, records show that the Cosmic Engine was created in 1092 AD.

The Cosmic Engine calculated time—not just hours and minutes but weeks, months and seasons reflecting how the earth moves around the sun. It also calculated how the earth and planets moved through space.

The Cosmic Engine was five stories tall and its working innards are complex.

Today, we know exactly how this device was created since Su Song left detailed blueprints and directions of exactly how it was built. Song’s Cosmic Engine worked from the eleventh century until enemies of the Song Dynasty destroyed it.

Using Song’s blueprints, the Science and Technology Museum in Beijing built a fully accurate reconstruction. Another reconstruction exists in London.

This ingenious device led to the invention of Western clocks centuries later.

Today, we know that many of the inventions and discoveries the modern world is built on originated in ancient Imperial China.

Return to the Machines of Ancient China – Part 3 or to discover more inventions see China Points the Way

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Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too. 

If you want to subscribe to iLook China, there is a “Subscribe” button at the top of the screen in the menu bar.

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The Machines of Ancient China — Part 3/4

October 29, 2010

More evidence has been discovered that the Chinese had a long history using geared machines.

Beautiful, engraved jade rings were found in tombs dated back to 400 BC. 

After studying the elaborately designed rings, archeologists believe the only way to produce this precision was by using a machine—a device known as a compound machine is one that synchronizes rotational with linear motion.

Over thousands of years, these technological innovations traveled from east to west along the Silk Route.

In fact, there is an archeological site in China that provides solid evidence of the abilities of China’s ancient engineers and craftsmen.

The first emperor of China’s Terra Cotta army is that evidence.

Located near Xian, it is considered by many to be the eighth wonder of the ancient world.

Over eight thousand human sized statues were created by Chinese engineers and craftsmen to protect Emperor Qin Shi Huangdi more than twenty-two hundred years ago.

These Terra Cotta warriors were armed with over ten thousand bronze weapons—the exact weapons used in combat. Amazing as it sounds, these weapons were coated with chromium, which wasn’t developed in the West until the 1930s.

It is believed that these warriors and their weapons were mass-produced in factories that match today’s modern factories.

The most impressive discoveries were the emperor’s full-scale chariots made of gold, silver and bronze. During the Qin Dynasty, the Chinese had established high standards for metallurgy and metal production.

The methods used to build these chariots were highly advanced and are still in use today.

Return to the Machines of Ancient China – Part 2 or to discover more inventions see With or Without Paper

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Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too. 

If you want to subscribe to iLook China, there is a “Subscribe” button at the top of the screen in the menu bar.

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Posted by Lloyd Lofthouse

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