Magic is not exclusive to any culture or race, but in China, “the art of magic has (more than) a two-thousand-year-old history,” gbtimes.com says. “Traditional Chinese magic was developed by peasants in the northern part of the country where harsh conditions and the need to survive influenced the development of skills like street acrobatics and magic tricks in order to bring in extra money.”
In addition, China Underground.com reports, “In Chinese folklore, especially in the South, … Gu magic was used to manipulate the will of others, partners, to make people ill and not least cause death. According to Chinese folklore, a Gu spirit was able to transform into different animals: snakes, worms, earthworms, frogs, dogs or pigs. … The name Gu has ancient origins dating back to the oracle inscriptions of the Shang Dynasty (fourteenth century BC).”
In “The Sorcerer and the White Snake” Jet Li stars as a sorcerer monk in an epic special effects fantasy film based on a Chinese legend. This complete film runs more than an hour and a half.
Encylopedia.com tells us, “Magic and mantic arts are endemic in Chinese life and prominent in the religions of China, both in popular religion and in Buddhism and Daoism.”
Practicing magic in China was also risky. Ancient Origins.net says, “The rules of the time (during the Han Dynasty) declared the use of magic as a capital offense. It was especially unforgivable amongst the nobility, including the royal family.” … “Black magic was well known in Ancient China, but research related to this topic is still full of gaps. It is known, however, that one of the most famous methods for practicing magic was ‘magic mirrors’”. As M. V. Berry explained.
It seems that black magic also cast its spell over Chinese movie audiences in 1975, starting a few months before Mao died in 1976. “Between the late 70s and early 80s,” Den of Geek.com says, “Chinese black magic movies were pumped out en masse, feeding audiences their fill of evil sorcery and twisted moralizing. The formula usually featured some poor schmuck enlisting a dark wizard to help them achieve something (more often than not, something sexual)”
Lloyd Lofthouse is the award-winning author of My Splendid Concubine, Crazy is Normal, Running with the Enemy, and The Redemption of Don Juan Casanova.
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