China’s [Politically Motivated?] Science Fiction Craze – Part 3/4

The history of science fiction in China predates the CCP’s encouragement today, and that interest started in the late nineteenth and early twentieth centuries — a cultural phenomenon that emerged from Western Europe’s Industrial Revolution. One site I visited while researching this topic even dated science fiction to ancient China.

In Sci-fi books? China’s got tons of those, Asia Obscura.com says, “When it comes to sci-fi movies, China’s really falling behind. One that really did impress me, though, was the very first to be produced in China: 1980′s gorgeous, fun, and campy ‘Death Ray on Coral Island’ (珊瑚岛上的死光).

“In ‘Death Ray,’ a good-hearted team of Chinese scientists, based in what appears to be San Francisco, finally succeed in completing their fabulous futuristic invention. That is, until the sinister back-stabbing Americans, played with Bond-villainous glee by Chinese actors in whiteface and prosthetic noses, decide to steal the invention for their evil plots…”, which reveals another perspective of the US.

Then Foreign Policy.com introduces us to The Prosperous Time: China 2013, written by 58-year-old Hong Kong novelist Chen Guanzhong, who has lived and worked in Beijing for much of his life.

China 2013 presents an ambivalent vision of China’s near future: outwardly triumphant (a Chinese company has even bought out Starbucks), and yet tightly controlled”, which may be a prediction that China’s one party republic is here to stay.

Continued on November 23, 2011 in China’s [Politically Motivated?] Science Fiction Craze – Part 4 or return to Part 2

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Note: You may read more on this topic [written by British thriller writer O. C. Heaton] over at A Rush of Green.

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Lloyd Lofthouse is the award-winning author of The Concubine Saga. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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