Turning on the Lights in China – Part 2/2

July 20, 2011

In American, Thomas Edison designed and built the first direct current (DC) power plant in 1882.

Then the first alternating current (AC) power plant opened in 1885 and transmitted power 200 miles from the plant.

By 1927, forty-five years later, the first power grid was established in Pennsylvania.

However, it wasn’t until 1933 that Congress passed legislation establishing the Tennessee Valley Authority, which now produces 125 billion kilowatt hours of electricity a year.

Then in 1935, FDR issued an executive order to create the Rural Electrification Administration (REA) to bring electricity to millions of rural Americans.

It took six years after the REA was launched in 1941 to help 800 rural electric cooperatives to string 350,000 miles of power lines.

Click on the link for America’s electrical grid and learn more about what it took to build the most extensive electric transmission system in the world— that is until China completes construction of its electrical transmission grid.

The biggest difference between modern China and America in the 1950s is the size of the population.

America electrified a nation with a population of about 160 million people.

China has 1.3 billion, which is a daunting task.

Start with Turning on the Lights in China – Part 1 or discover Electricity is the Key

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Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too.

To subscribe to “iLook China”, look for the “Subscribe” button at the top of the screen in the menu bar, click on it then follow directions.


Turning on the Lights in China – Part 1/2

July 19, 2011

Access to electricity is the key to developing a country into a modern state with the potential to grow a large, consumer driven middle class.

Poverty reduction is also linked to access to electricity.

In fact, to reduce poverty, China has introduced electricity access to over 900 million rural residents in over 50 years and has achieved an electricity access rate of as high as 98%. Source: Stanford.edu


August 15, 2010

In 1949 when the People’s Republic (PRC) was founded, there were only 33 small hydropower stations in rural China, with a total installed capacity of 3.63 megawatts, and total electricity consumption in rural areas was 20 million kilowatts. Today, there are thousands of hydropower stations, and the PRC has more than any country on the earth.

In 1979, China’s Xinhua state run news agency reported a serious electric power shortage. The agency said China produced about 150,000 million kilowatts of electricity a year and ranked about seventh among the world’s electric energy producers.

In fact, China’s output was about an eighth that of the US. Source: History of China’s electricity use


August 15, 2010

In the last post, China’s Goals to Go Green, we discovered that China now produces more electricity than the US.

To understand what China has accomplished since 1979 when it was ranked seventh among the world’s electricity producers instead of first, it helps to discover the time it took for America’s electrical grid to be built, which will be continued on June 20, 2011 in Turning on the Lights in China – Part 2

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Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too.

To subscribe to “iLook China”, look for the “Subscribe” button at the top of the screen in the menu bar, click on it then follow directions.


China’s Goals for Going Green

July 18, 2011

Until recently, the United States was the largest consumer of energy in the world.

To put that in perspective, Americans make up only 5% of the world’s population and yet consumed 20% of the energy the last year the US was number one.

Now, China, with about 20% of the world’s population, consumes more energy than the US.

In 2010, China consumed 4,190,000,000-megawatt hours of electricity to serve 1.3 billion people, while in 2009, the US consumed 3,741,485,000-megawatt hours of electricity for 310,880,317 people. Source: Wikipedia’s List of countries by electric energy consumption

A better idea might be to compare India to China since these countries have similar sized populations. Nation Master’s energy consumption chart shows India in 6th place with 568,000,000-megawatt hours consumed, while China used more than 7 times that number.

China’s goal is to have a middle class equal to America, which may reach as high as 66% of households.

Do a little math and you soon discover how much energy China may have to produce to support a middle class of about 858 million people, which is 66% of 1.3 billion.

In fact, China may need to produce about 16 billion-megawatt hours of electricity to achieve that goal.

Along with those numbers comes another staggering headache — pollution and a potential environmental disaster of epic proportions.

However, China is struggling to deal with this challenge by going green.

The June 2011, National Geographic Magazine (NGM) asked this question — Can China Go Green? Then attempted to answer it.

NGM said, “No other country is investing so heavily in clean energy. But no other country burns as much coal to fuel its economy.”

One unidentified Beijing-based official said, “China seeks every drop of fuel—every kilowatt and every kilojoule it can get a hold of — for growth.”

“That Chinese consumer revolution has barely begun,” NGM said. “As of 2007, China had 22 cars for every 1,000 people, compared with 451 in the U.S.”

Discover more at China’s Middle Class Expanding, China’s Middle Class Defined, Copy Cat Middle Class in China and The Middle Class Bulge.

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Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the lusty love story Sir Robert Hart did not want the world to discover.

#1 - Joanna Daneman review posted June 19 2014

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Snow Flower and the Secret Fan – a movie review

July 16, 2011

This film (based on a novel by Lisa See) is the story of four women and of the complexities of China — Lily and Snow Flower live in 19th century Southwest China, while Nina and Sophia live in 21st century Shanghai.

The characters of Lily and Nina are played by Bingbing Li and Sophia and Snow Flower by Gianna Jun. The director is Wayne Wang, who worked on The Joy Luck Club among other films.

Even in the 19th century, Shanghai was a world apart from Southwest China and still is.  It is safe to say that the day-to-day grind of life probably hasn’t changed much (except for foot binding and more freedom for women) in remote rural villages in Southwest China, which is off the beaten track of most foreign tourists that visit China on fast-paced packaged tours.

I read Lisa See’s novel soon after it came out and although I enjoyed the book and felt it was well written, I couldn’t understand why it stayed on the New York Times Bestseller List as long as it did.  And to be honest, I still don’t. However, if there was a formula to predict why a few books are wildly successful and many fail, no one has discovered it yet.

The original story Lisa See wrote shows a small part of China and in no way represents all of China and all things Chinese. That would be a challenge since China is a diverse land with many spoken languages and cultures and one written language and a very long history.

From what I recall, Snow Flower and Lili, the characters in 19th century China, live in Southwest China and belong to one of China’s fifty-six minorities, which have unique cultures apart from China’s Han majority, and as children these two girls are sworn to be loyal friends for life.

Considering what life was like in China for woman in the early 19th century, it is understandable why such a custom would have evolved.  However, to be clear, I will remind the reader that women were mostly treated this way everywhere in the world at that time, and many still are outside the US, Europe and China. Sex slavery and abuse of women still exists in many countries such as Africa, Southeast Asia and the Middle East.

Fortunate for me, I read the reviews of this film in the New York Times and the San Francisco Chronicle after I saw the film.

These reviews, written by Sino-blind Americans, demonstrate no clue that the real purpose of this movie may have been to highlight China’s past and present and not as another cloned US movie such as two I saw recently, which reflect what is mostly popular in America. Both of these American movies, Transformers 3: Dark of the Moon and Horrible Bosses, lacked depth without a soul, and I cannot recommend them to anyone. However, I must admit that I’m capable of enjoyed both depthless movies and films with depth such as Snow Flower and the Secret Fan.

I’ve been to China many times and sat in movie theaters watching movies made in China for a Chinese audience and this movie, to me, is a Chinese film with Chinese actors and actresses set in China.  After all, a Chinese film company was behind its production and the director is Chinese.

Most Chinese do not think like the average American that is often stuck on a linear path incapable of seeing the meaning between the lines. However, Chinese think metaphorically meaning if you want to understand and enjoy this film, look between the lines and learn from what is hidden in sight?

As we travel with the ancient (19th century) and modern (21st century) sworn sisters with scenes that shift from past to present, we discover that although there is more personal freedom in China today than there was almost two centuries ago, life still comes with no guarantees.  The scenes in modern Shanghai show a city in transition with old being torn down being replaced by new as if China is emerging from a cocoon. I saw this transition as a metaphor.  The scene where Nina is taking off her high heels and rubbing her feet compared to the ancient Lili (both played by the same actress) taking off her three-inch shoes and rubbing her bloodied, painful bound feet demonstrates how far China has evolved.

In fact, because this film is more Chinese than the novel written by American born and raised Lisa See, I feel it captured more of a sense of China than the novel did.

For those reasons, I cannot agree with most of the American media critics that trashed the film.  Of course, to be fair, Snow Flower and the Secret Fan would be considered a failed and flawed film to most Western critics because it is a Chinese film adapted from a Western book.

Snow Flower and the Secret Fan is more than just a disjointed film jumping clumsily between centuries. This film represents China and the complexity of Chinese civilization and it demonstrates how much China has changed while so much that is often out of sight of most foreigners stays the same.

If you have the patience to suspend your Western values and expectations of what movies should offer and want to discover something new, I recommend seeing this film. But be warned, since this film is Chinese (in my opinion), it pushes the melodramatic envelope beyond what most Americans are comfortable with.

Shallow thinkers that flock to see movies such as Transformers 3, Horrible Bosses, The Zookeeper, and Cars 2, etc. may want to avoid Snow Flower and the Secret Fan.  However, if you are an individual that enjoys learning and expanding your horizons, go — and take a box of tissues.

Also discover Balzac and the Little Chinese Seamstress and/or Farewell My Concubine

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Lloyd Lofthouse is the award-winning author of The Concubine Saga. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

To subscribe to “iLook China”, look for the “Subscribe” button at the top of the screen in the menu bar, click on it then follow directions.


Ten Days out of the Middle Kingdom

July 7, 2011

On April 18, The New Yorker published The Grand Tour, a long piece about ordinary Chinese pouring out of China and visiting the world as tourists a few days at a time and Europe is the most popular destination.

Evan Osnos, The New Yorker’s correspondent in China, where he has lived since 2005, wrote the piece.

To research it, Osnos joined a “Classic European” Chinese bus tour that would “traverse five countries in ten days”.  He was the only non-Chinese, and the 38 members of the tour ranged in age from six to seventy.

At 16 printed pages, it took me two sittings to read The Grand Tour, but I found it to be worth my time to learn how serious China is about joining the global community.

However, this transition did not come about easily.

An ancient Chinese proverb says, “You can be comfortable at home for a thousand days, or step out the door and run right into trouble.” Then Confucius threw guilt into the mix when he taught, “While your parents are alive, it is better not to travel far away.”

In fact, in the famous letter that Emperor Qianlong wrote to King George of Britain in 1793, he indicated there was no desire to have foreigners visit or live in China or for the Chinese to leave. “As your Ambassador can see for himself, we possess all things. I set no value on objects strange or ingenious, and have no use for your country’s manufactures.… The distinction between Chinese and barbarian is most strict, and your Ambassador’s request that barbarians shall be given full liberty to disseminate their religion is utterly unreasonable.”

In addition, Osnos said, Mao considered tourism anti-Socialist, so it wasn’t until 1978, a few years after his death, that Chinese started to gain approval to travel to other countries, and in 1997 the government allowed Chinese tourists to visit other counties in a “planned, organized and controlled manner”.

Thirteen years later in 2010, “Fifty-seven million Chinese traveled outside China,” Osnos wrote, “ranking China third worldwide in international tourism.”

During the tour, the first stop was in the modest German city of Trier, which the Chinese language guidebook described as the “Mecca of the Chinese people”.  Trier was the birthplace of Karl Marx, and there was an early morning photo opportunity in front of the house where Marx was born.

In one conversation with another member of the tour, Osnos learns what Chinese think of the Marxist revolutionary ideas that ruled the country under Mao from 1949 to 1978. “We spent thirty years on what we now know was a disaster,” one of the Chinese tourists said.

http://www.youtube.com/watch?v=q690nFiVRsU

As for middle class Chinese wanting to leave China to live in other countries, think again. In another conversation in the Swiss town of Interlaken, Osnos heard, “Other than different buildings, the Seine didn’t look all that different from the Huangpu (river in Shanghai). Subway? We have a subway. You name it, we’ve got it.”

A Chinese sanitation engineer on the tour could not help but notice in Milan, Italy the abundant graffiti and overstuffed trash bins. His comment, “If it was like this in Shanghai, old folks would be calling us all afternoon to complain.”

If you want to discover more of how Chinese see the world and what they do as tourists outside China , I suggest spending time reading The Grand Tour.  As I said earlier, it was worth my time.

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Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too.

To subscribe to “iLook China”, look for the “Subscribe” button at the top of the screen in the menu bar, click on it then follow directions.