Chinese Crossbow and other Inventions (1/4)

July 31, 2010

The Chinese invented the forerunner to the modern machine gun—a repeating crossbow. If you watch the video, you will see that firing the repeating crossbow takes the pull of one lever.  The arrows are in a clip above the firing mechanism.

Then the Chinese invented the stirrup. Prior to that, all of the ancient people on earth rode horses without stirrups and staying on horseback and fighting was difficult without the stirrup.

Thanks to stirrups, the horse became a more stable platform for war. Prior to the stirrup, it was common for a man to ride about seven miles a day. After the stirrup, that distance was extended to as much as 70 miles a day.

The invention of the stirrup along with the repeating crossbow created a powerful weapon. The Chinese could also manufacture items in mass, quickly and efficiently. The Chinese used pottery molds to accomplish this—even to build the advanced trigger mechanism for the crossbow. When it came to cast iron, the Chinese were a thousand years ahead of the world.

However, by the time of the Sung Dynasty, the world was catching up—meaning China’s enemies were stealing their technology.  It’s ironic that today, many in the West accuse the Chinese of stealing innovations. If so, China is only doing what was done to them centuries ago.

Go to Chinese Crossbow and other Inventions – Part 2 or learn more about The Accidental Discovery of Gunpowder

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Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

His latest novel is the multiple-award winning Running with the Enemy.

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Posted by Lloyd Lofthouse

China’s Three “Journeys to the West”

July 31, 2010

No, this is not about immigrants or armies invading America. Besides, Chinese troops would have to swim the Pacific since China’s navy isn’t large enough to move a force that size, since China does not have America’s military capabilities.

This post is about China’s classic novel, “Journey to the West”.

There are four novels that are considered Chinese classics—Romance of the Three Kingdoms, Dream of Red Chamber, Journey to the West and The Outlaws of the Marsh (some of these classics have been released in other titles).

In fact, there are three Chinese books titled “Journey to the West”.

One Journey to the West is nonfiction about K’iu Ch’ang Ch’un, who visited Genghis Khan in Persia between 1221 and 1224.

The second Journey to the West is another nonfiction account about Hsuan Tsang, a Buddhist monk who travels to India to bring back Buddhist scriptures.

The third Journey to the West is a fictional romance that introduces the Monkey King and his friend the Pig on their journey to the West.

Also, see Dream of Red Chamber or Romance of the Three Kingdoms

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Lloyd Lofthouse is the award-winning author of The Concubine Saga. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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Mao Zedong, the Poet

July 27, 2010

Many outside China think of Mao Zedong (1893 – 1976) as a brutal dictator. Yet, he was fifty-six when he became the ruler of China and seventy-two at the beginning of The Cultural Revolution.

In fact, while commanding the Red Army during The Long March (1934-1935), we see a man who respected China’s peasants proving he was more of a nationalist than a Communist. Then there was the move away from Communist Russia after Nixon’s visit to China in 1972, when Mao said, “Our common old friend, Generalissimo Chiang Kai-shek, doesn’t approve of this.”

In 1935, Mao’s poem, “The Long March”, reveals an awareness of the sacrifice and the willingness to suffer to accomplish great things.

The Red Army fears not the trials of the March,
Holding light ten thousand crags and torrents.
The Five Ridges wind like gentle ripples
And the majestic Wumeng roll by, globules of clay.
Warm the steep cliffs lapped by the waters of Golden Sand,
Cold the iron chains spanning the Tatu River.
Minshan’s thousand li of snow joyously crossed,
The three Armies march on, each face glowing.

Mao was a complex man, and it wasn’t until after the failure of the The Great Leap Forward (1958 – 1961) that the fatal attraction and power of leadership corrupted him leading to the horrors of The Cultural Revolution (1966 – 1976), which Mao’s critics in the West use to define him.

Anyone who follows all of Mao’s life instead of relying on his last decade would understand that he cared deeply about the common people while punishing the landowners and wealthy, who abused them.  On the other hand, his foe, Chiang Kai-shek, supported the landowners and wealthy while crushing the peasants and workers.

There is a post on About China.info that says, “Mao’s poetry exhibits a spirit of boldness and power, weaving together history, reality and commitment… Bold transformation of myth and literary quotations are a distinct feature of Mao’s poetry.”

At Mao Zedong Poems, Two Birds” A Dialogue (1965), reveals what Mao may have been thinking about as President Johnson increased America’s involvement in Vietnam. Was Mao also warning us of what he was about to do in 1966, when he launched The Cultural Revolution?

Two Birds: A Dialogue (1965)

The roc wings fanwise,
Soaring ninety thousand li
And rousing a raging cyclone.
The blue sky on his back, he looks down
To survey Man’s world with its towns and cities.
Gunfire licks the heavens,
Shells pit the earth.
A sparrow in his bush is scared stiff..
“This is one hell of a mess!
O I want to flit and fly away.”
“Where, may I ask?”
The sparrow replies,
“To a jewelled palace in elfland’s hills.
Don’t you know a triple pact was signed
Under the bright autumn moon two years ago?
There’ll be plenty to eat,
Potatoes piping hot,
Beef-filled goulash.”
“Stop your windy nonsense!
Look, the world is being turned upside down.”

Through Mao’s poetry, we learn more about the man—not the modern emperor.

Discover China’s Privately Passionate Poetry

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Lloyd Lofthouse is the award-winning author of The Concubine Saga. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

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China’s Privately Passionate Poetry

July 26, 2010

I’m sure that most Westerners do not think of love poems when they think of China. However, there has to be a reason for more than 1.3 billion people besides the Great Wall of China, the Pacific Ocean and the biggest mountain range on the planet, the Himalayas, which helped wall China from the violence that rocked the rest of the world for centuries—at least until the Opium Wars.

For poetry lovers, this book imparts a sense of the private passion that beats in the Chinese heart. The three arts of poetry, calligraphy and painting, the Triple Excellence, are represented on the pages.

The painting, lady weeping at parting from husband, 17th century, comes from the Qing Dynasty and the book says it is a color woodblock print on paper.

Chinese poetry is frequently personal and often linked to a particular occasion (page 9).

Deeply in love, but tonight
we seem to be passionless;
I just feel, before our last cup of wine
a smile will not come.
The wax candle has sympathy ­­–
weeps at our separation:
Its tears for us keep rolling down
till day breaks.

by Du Mu (803-852 AD)

As you can see, the Chinese are a passionate people—they just don’t dramatize these passions publicly as many in the West do—at least until the West invaded China to force—if possible—a different set of values on China’s collective culture.

The Golden Age of Poetry in China was in the Tang Dynasty (618-906 AD).  This book of Chinese Love Poetry was edited by Jane Portal (© 2004) and published by Barnes & Noble Books (ISBN 0-7607-4833-0).

discover China’s Sexual Revolution or Yu Opera with Mao Wei-tao

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Lloyd Lofthouse is the award-winning author of My Splendid Concubine [3rd edition]. When you love a Chinese woman, you marry her family and culture too. This is the love story Sir Robert Hart did not want the world to discover.

His latest novel is the multiple-award winning Running with the Enemy.

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China’s Holistic Historical Timeline

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Human Rights – East versus West

July 24, 2010

The loudest voices for human rights originate in the West where the individual has more value than the whole. In China, the opposite is true. In China, the emphasis is on collective rights, which explains why China has the death penalty with the highest execution rate in the world.  The idea is to get rid of individual threats to the collective welfare.

Dr. Sun Yat-sin (1866 – 1925), who is celebrated in mainland China and in Taiwan as the father of modern China, said it best, “An individual should not have too much freedom. A nation should have absolute freedom.”

Interpreted, that means individuals in China will not have the level of freedoms as exercised in Western nations and even if China were to hold democratic elections, that situation will probably not change. Human rights in China does exist but from a collective point of view.

Joe Amon, writing in the Huffington Post, shows his ignorance of Chinese culture when he says, “But the government should be held to account for stifling the work and voices of Chinese AIDS activists and nongovernmental organizations.”

To work for change in China, one must understand the collective thought process of most Chinese.  If change is to take place, it must come from within China and it must be done from a collective point of view. In fact, it is culturally taboo to talk about HIV/AIDS in China since the Chinese seldom talk publicly about the so called white-elephant in the room anyway.

See Human Rights the Chinese Way

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Lloyd Lofthouse is the award-winning author of the concubine saga, My Splendid Concubine & Our Hart. When you love a Chinese woman, you marry her family and culture too. 

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